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Fajada Butte, Chaco Canyon, New Mexico
Zig Jackson
2010
Grace Jones, Studio 54 (New York)
Ming Smith
1970s
Image Not Available
for After graduating high school in economically-disadvantaged Appalachia, Corey Christopher's family expected him to join the US Armed Forces, as it was seen as a pathway to a better life. But homosexuals were not allowed to serve in the military in those days
After graduating high school in economically-disadvantaged Appalachia, Corey Christopher's family expected him to join the US Armed Forces, as it was seen as a pathway to a better life. But homosexuals were not allowed to serve in the military in those days
Jamil Hellu
2018
Image Not Available
for Borrando la Frontera (Erasing the Border) 01
Borrando la Frontera (Erasing the Border) 01
Ana Teresa Fernández
2011/2021
Image Not Available
for Borrando la Frontera (Erasing the Border) 02
Borrando la Frontera (Erasing the Border) 02
Ana Teresa Fernández
2011/2021
Image Not Available
for Borrando la Frontera (Erasing the Border) 03
Borrando la Frontera (Erasing the Border) 03
Ana Teresa Fernández
2011/2021
Image Not Available
for Plate I: Entrance Arch of the Chapel and the Tomb from The Chapel of the Cardinal of Portugal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate I: Entrance Arch of the Chapel and the Tomb from The Chapel of the Cardinal of Portugal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available
for Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available
for Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available
for Plate IV: Cornucopia from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate IV: Cornucopia from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available
for Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available
for Plate VI: Garland of Fruit from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate VI: Garland of Fruit from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
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