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The Open City Gate, plate 6 from Suite of Landscapes and Views in the Vicinity of Andelis
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

The Open City Gate, plate 6 from Suite of Landscapes and Views in the Vicinity of Andelis

Primary (Innsbruck, Austria, 1730–Vienna, Austria, 1771)
NationalityAustrian, Europe
Date1761
MediumEtching
DimensionsSheet: 6 3/16 × 8 9/16 in. (15.7 × 21.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1015
Keywords
Collection AreaPrints and Drawings
Object number2002.1015
On View
Not on view
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A Brick House over the Remains of a Ruin, plate 5 from Suite of Landscapes and Views in the Vicinity of Andelis
Franz Edmund Weirotter
1761
This image is for study only, and may not accurately represent the object’s true color or scale…
A Three-master at the Inlet on the Bay, plate 7 from Suite of 18 Landscapes, Drawn at Lagny sur Marne, near Meaux in Brie
Franz Edmund Weirotter
1766
An Old Man with a Youth and a Dog Returning Home to the Village, plate 9 from Suite of 18 Landscapes, Drawn at Lagny sur Marne, near Meaux in Brie
An Old Man with a Youth and a Dog Returning Home to the Village, plate 9 from Suite of 18 Landscapes, Drawn at Lagny sur Marne, near Meaux in Brie
Franz Edmund Weirotter
1766
Image Not Available for Brick House on a River, plate 5 from Suite of Landscapes
Brick House on a River, plate 5 from Suite of Landscapes
Franz Edmund Weirotter
1765
This image is for study only, and may not accurately represent the object’s true color or scale…
Landscape with Pyramid and Herdsmen, plate 10 from Fifth Suite of Old Buildings from Diverse Regions, Composed of 24 Folios
Franz Edmund Weirotter
1767
This image is for study only, and may not accurately represent the object’s true color or scale…
Omne tulit Punctum...[Every point made...], after Etienne de Lavallée, from The Arrival in Rome of Madame Le Comte and of the Misters Watelet, and their Attendants
Franz Edmund Weirotter
1764
This image is for study only, and may not accurately represent the object’s true color or scale…
L'Arrivo in Roma [Arrival in Rome], after Etienne de Lavallée, from The Arrival in Rome of the Madame Le Comte and of the Misters Watelet, and their Attendants
Franz Edmund Weirotter
1764
Gli Studj di Pittura sulle opere antiche [Painting Exercises after the Antique], after Etienne de Lavallée, from The Arrival in Rome of the Madame Le Comte and of the Misters Watelet, and their Attendants
Gli Studj di Pittura sulle opere antiche [Painting Exercises after the Antique], after Etienne de Lavallée, from The Arrival in Rome of the Madame Le Comte and of the Misters Watelet, and their Attendants
Franz Edmund Weirotter
1764
This image is for study only, and may not accurately represent the object’s true color or scale…
Il Viaggio per Napoli dopo la Morte del Sig. Buchelet [The Journey to Naples after the Death of Mr. Buchelet], after Etienne de Lavallée, from The Arrival in Rome of Madame Le Comte and of the Misters Watelet, and their Attendants
Franz Edmund Weirotter
1764
View of the Bank of the Longuetoise,from Views and Landscapes of the Chateau of Longuetoise and Surroundings
View of the Bank of the Longuetoise,from Views and Landscapes of the Chateau of Longuetoise and Surroundings
Albert Flamen
1640
This image is for study only, and may not accurately represent the object’s true color or scale…
Arco di Pola in Istria vicino alla Porta [Arch of Pola in Istria near the Gate], Plate 24 of 32 from Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia [Some Views of Triumphal Arc
Giovanni Battista Piranesi
1748
Piazza San Marco, Looking toward the Basilica, circa 1738, from Magnificentiores Selectioresque Urbis Venetiarum Prospectus [Splendid and Choice Views of the City of Venice]
Piazza San Marco, Looking toward the Basilica, circa 1738, from Magnificentiores Selectioresque Urbis Venetiarum Prospectus [Splendid and Choice Views of the City of Venice]
Michele Marieschi
1741