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This image is for study only, and may not accurately represent the object’s true color or scale…
Artemisia, after Angelica Kauffmann
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Artemisia, after Angelica Kauffmann

Primary (1755–1792)
co-primary (1755–1792)
co-primary (Florence, Italy, circa 1727–Lisbon, Portugal, 1815)
NationalityItalian, Europe
Date1794
MediumStipple engraving
DimensionsSheet: 11 7/8 × 8 11/16 in. (30.2 × 22.1 cm)
Additional Dimension: 10 × 7 1/2 in. (25.4 × 19.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1228
Collection AreaPrints and Drawings
Object number2002.1228
On View
Not on view
This image is for study only, and may not accurately represent the object’s true color or scale…
A Female Figure in Profile, Holding a Flower Urn, after Angelica Kauffmann
Francesco Bartolozzi
1750
Angelica Kauffmann, after Sir Joshua Reynolds
Angelica Kauffmann, after Sir Joshua Reynolds
Francesco Bartolozzi
1780
This image is for study only, and may not accurately represent the object’s true color or scale…
Eleonora and Edward I, after Angelica Kauffmann
William Wynne Ryland
1757
Image Not Available for Troilus and Cressida: Act V, Scene II, from Shakespeare Gallery, 1804, after Angelica Kauffman
Troilus and Cressida: Act V, Scene II, from Shakespeare Gallery, 1804, after Angelica Kauffman
Luigi Schiavonetti
1795
Image Not Available for Guardian Angel, after Domenico Fetti, plate 102 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet C
Guardian Angel, after Domenico Fetti, plate 102 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet C
Nicolas-Gabriel Dupuis
1729
Image Not Available for Pastorale [The Pastoral Concert], after Titian, plate 138 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the
Pastorale [The Pastoral Concert], after Titian, plate 138 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the
Nicolas-Gabriel Dupuis
1729
The Adoration of the Magi, after Paolo Veronese, plate 169 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
The Adoration of the Magi, after Paolo Veronese, plate 169 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
Nicolas-Gabriel Dupuis
after 1730-before 1740
Angelica and Medoro, after Carlo Caliari
Angelica and Medoro, after Carlo Caliari
Aegidius Sadeler II
circa 1591-1593
Image Not Available for Half-length of a Man, after La Tour
Half-length of a Man, after La Tour
Pierre Gabriel Langlois
1785
Image Not Available for Nicolas Pietersz Berchem, after Rembrandt van Rijn
Nicolas Pietersz Berchem, after Rembrandt van Rijn
Nicolas-Gabriel Dupuis
1834
Image Not Available for Portrait of a Man, after Hans Holbein
Portrait of a Man, after Hans Holbein
Francesco Bartolozzi
1790s
Image Not Available for L'Egalité, after Pierre- Paul Prud'hon
L'Egalité, after Pierre- Paul Prud'hon
Jacques-Louis Copia
1784