Skip to main content

High Yellow

Primary (Newburgh, New York, 1923–Spencertown, New York, 2015)
NationalityAmerican, North America
Date1960
MediumOil on canvas
DimensionsSight: 80 9/16 × 57 13/16 in. (204.6 × 146.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991.246
Collection AreaModern and Contemporary Art
Object number1991.246
On View
Not on view
Label Text
Nature was a primary source of inspiration for Ellsworth Kelly, and it is tempting to read "High Yellow" as a landscape with green grass, blue sky, and yellow sun. But Kelly believed that art should transcend the quotidian experiences of daily life. Though he derived his compositions from the world around him, he did not intend his work to be seen as representational. As he once said, “The form of my painting is the content.” In order to achieve a purity of form, Kelly took inspiration from the works of anonymous medieval craftsmen and eliminated the trace of his hand from the canvas. By pointing beyond the personal, he felt he could conjure the universal. Kelly is widely known for his intuitive use of color. Yellow, in particular, figures prominently in the artist’s practice—most notably at the beginning and end of his color spectrums. The hue also takes the topmost position in the colored-glass window designs for "Austin," Kelly’s most monumental work and the only freestanding building he designed, given to the Blanton in 2015.
Exhibitions
Study for High Yellow
Ellsworth Kelly
1960
Red Relief with White
Ellsworth Kelly
2007
Green Blue Black
Ellsworth Kelly
1963
Mother and Child
Ellsworth Kelly
1949
Gray Panel
Ellsworth Kelly
1982
Austin
Ellsworth Kelly
2015
Lavender High
Alice Baber
1968
High Line
Warren Isensee
2006