Landscape Without Words
Primary
Oscar Florianus Bluemner
(Prenzlau, Prussia (now Germany), 1867–South Braintree, Massachusetts, 1938)
NationalityAmerican, North America
Date1927
MediumOil on board
DimensionsSight: 21 3/4 × 16 3/16 in. (55.3 × 41.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991.190
Rights Statement
Collection AreaModern and Contemporary Art
Object number1991.190
On View
Not on viewCollection Highlight
Oscar Bluemner’s Landscape without Words strikes equilibrium between opposing forces: the man-made and the natural, the geometric and the organic, the fragmented and the unified. According to the artist’s prolific notes, he approached the genre of landscape “as if it were a person . . . a semi-self portraiture.” Bluemner’s persona comes through in this painting in his choice of subject: a house. Placed precariously atop a hill, the house in Landscape without Words nods to the artist’s formal training in architecture; by the 1920s, these residential structures had emerged as a primary motif in his work. As the title of this painting suggests, Bluemner manipulated the forms and colors in Landscape without Words to visually express the unspoken—the multifaceted experience of the self and the surrounding world.
![Palabras, frases, oraciones [Words, Phrases, Sentences]](/internal/media/dispatcher/24008/thumbnail)