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Lady Hamilton

Primary (Dalton-in-Furness, Lancashire, England, 1734–Kendal, England, 1802)
NationalityEnglish, Europe
Date1791
MediumOil on canvas
DimensionsFramed: 62 5/8 × 52 3/8 in. (159.1 × 133.1 cm)
Sight: 49 3/8 × 38 1/2 in. (125.4 × 97.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. and Mary Taylor, 1991.108
Collection AreaEuropean Painting and Sculpture
Object number1991.108
On View
On view
Locations
  • exhibition  BMA, Gallery, A3
Collection Highlight
Label Text
The daughter of a blacksmith, Emma Hart sat for this portrait on September 6, 1791, the day of her wedding to Sir William Hamilton, George III’s envoy to Naples. She was twenty-six, and Sir William was sixty years old. Behind Emma in her white dress is an erupting Mount Vesuvius that references her husband’s publication on the volcano. The painting also marks the end of Emma’s ten-year association with George Romney, one of the leading portrait painters of the day. Emma had captivated him with her beauty from the time she had first visited his London studio as a model in 1781. During her rise in society as a gentleman’s mistress, Romney had painted as many as fifty-seven portraits of Emma in various guises and attitudes. This portrait was to be his last depiction of her.
Exhibitions
Lady Charlotte Hornby
Sir Thomas Lawrence
1796
Portrait of a Lady as Cleopatra
Giovanni Battista Gaulli (Baciccio)
circa 1680
A Lady with Castanets
Circle of Luca Giordano
1660
Portrait of a Lady in a White Dress
Giovanni Bernardo Carbone
1640
Portrait of a Lady as Venus with Cupid
Pierre Mignard
17th century
Bust of a Lady
Attributed to Bernardo Licinio
1514
Huntsman with Deer, Horse and Rifle
Arthur Fitzwilliam Tait
1854
Hendrick Van Gelder
Unknown (formerly attributed to Anthony van Dyck)
circa 1625