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Image Not Available for Rites of Spring - Olympic Offerings (Recto)
Rites of Spring - Olympic Offerings (Recto)
Image Not Available for Rites of Spring - Olympic Offerings (Recto)

Rites of Spring - Olympic Offerings (Recto)

Primary (Santa Rosa, California, 1887–Robinhood, Maine, 1968)
co-primary (Eurburg, Lithuania, 1887–Bath, Maine, 1966)
NationalityAmerican, North America
Date1909
MediumOil on canvas
DimensionsSight: 29 1/2 × 24 9/16 in. (74.9 × 62.4 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985.74a
Collection AreaModern and Contemporary Art
Object number1985.74a
On View
On view
Locations
  • exhibition  BMA, Gallery, B3 - Huntington Gallery
Label Text
Marguerite Thompson Zorach was among the first painters to introduce European modernism to American audiences, most memorably at the 1913 Armory Show in New York City. Inspired by the non-naturalistic color and bold brushwork of the avant-garde Fauve (“Wild Beast”) painters the artist encountered while living in Paris, Rites of Spring—Olympic Offerings is a rare example of Zorach’s early experimentation with expressive applications of paint. Nude figures depicted in cool blues and caustic pinks proffer the season’s harvest to an unseen divine force, reflecting the artist’s interest in the “inner spirit of things.” Zorach’s husband and fellow modernist, William Zorach, later used the back of this canvas for his own painting.