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David with the Head of Goliath

Primary (Tours, France, 1593–Paris, France, 1670)
NationalityFrench, Europe
Datecirca 1620-1623
MediumOil on canvas
DimensionsCanvas: 52 5/8 x 38 9/16 in. (133.7 x 98 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1424
Collection AreaEuropean Painting and Sculpture
Object number2017.1424
On View
On view
Locations
  • exhibition  BMA, Gallery, A5
Collection Highlight
Label Text
This painting represents the victorious David with the severed head of Goliath, the giant Philistine warrior that he defeated with a sling. In David’s right hand is Goliath’s sword, which he used to cut off the giant’s head. The shepherd boy’s sumptuous headdress and clothes originally belonged to Jonathan, the son of King Saul, who took off his princely robes and gave them to the courageous young man as a token of affection. David is depicted as androgynous, which reflects an ideal of beauty for young men in the sixteenth and seventeenth centuries. Painted during Claude Vignon’s final years in Rome before his return to Paris, the work shows the French artist’s masterful interpretation of Caravaggio’s work. The strong shaft of light coming from the upper left increases the sense of drama in a seemingly calm scene by contrasting the beauty of the protagonist with the horror of the preceding event.
Exhibitions
Juno
Claude Vignon
1614
David and Goliath
Attributed to Gerolamo Bassano
16th century
A Landscape with a Herdsman Resting by a Pond
Circle of Claude Gellée, called Claude Lorrain
1625
Pastoral Landscape
Claude Lorrain
circa 1628-1630
Head of Saint Michael
Paolo Veronese
circa 1563
A Pawnbroker’s Shop
Circle of Claude Vignon
circa 1675-1699
Huntsman with Deer, Horse and Rifle
Arthur Fitzwilliam Tait
1854