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Bajo sospecha, part 1 El delincuente por el (d)efecto, part 2 Retrato hablado [Under Suspicion, part 1 Delinquent by (d)efect, part 2 Composite Sketch]
Bajo sospecha, part 1 El delincuente por el (d)efecto, part 2 Retrato hablado [Under Suspicion, part 1 Delinquent by (d)efect, part 2 Composite Sketch]

Bajo sospecha, part 1 El delincuente por el (d)efecto, part 2 Retrato hablado [Under Suspicion, part 1 Delinquent by (d)efect, part 2 Composite Sketch]

Primary (Llanquihue, Chile, 1963–)
NationalityChilean, South America
Date1998
Medium3 Digital inkjet prints on fiberboard; 1 digital print, plastic, and vinyl...
DimensionsAdditional Dimension: 67 1/4 × 51 1/2 in. (170.8 × 130.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2005.196.a-d
Collection AreaLatin American Art
Object number2005.196.a-d
On View
Not on view
Label Text
Under Suspicion is an autobiographical work that refers to a real event. The artist was walking along a street in Santiago when he was detained and forced into a police car. The police claimed that his face matched the photograph of the crime suspect. After this traumatic experience, Oyarzún made this work that he describes as a form of “self-therapy.” The photographs are self-portraits taken by the artist. The drawing is taken from the police file of the real criminal. The text is the official police description of the suspect: “He has black skin, like an atacameño [a person from the Atacama desert]; straight hair, strong fat lips above a wide chin, a narrow forehead, as if without a brain.” Under Suspicion reveals some of the racial and ethnic prejudices present in Chile, a country proud of its white, European heritage.
Exhibitions
Part File Score
Susan Philipsz
2014
Suspicion
Mark Goodman
2014–2017