Banshee Pearls
Primary
Kiki Smith
(Nuremburg, Germany, 1954–)
Publisher
Universal Limited Art Editions
NationalityAmerican, North America
Date1991
MediumColor lithograph from fifty-one plates with aluminum additions on twelve sheets of Torinoko wove
Credit LineBlanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Jeanne and Michael Klein, 2013.5.a-l
Rights Statement
Collection AreaPrints and Drawings
Object number2013.5.a-l
On View
Not on viewCollection Highlight
"Banshee Pearls" features Kiki Smith’s first depictions of her own likeness in her work. Starting in 1989 at Universal Limited Art Editions, Smith began to play with the idea of incorporating herself into her prints—a practice she consciously avoided in her sculptures. Each of the twelve prints in "Banshee Pearls" is composed of several photographic states of the artist’s face that have been dramatically altered and rendered in both positive and negative registers. Some faces have been photocopied and distorted so fully that the artist’s features are barely recognizable; others appear as crude skull-like masks or ghosts. Smith used dozens of self-portraits in the work, occasionally holding the printing plates upright to create long drips of ink, and once pressed her teeth against the photocopier to transfer the image onto a plate.
For Smith, this work was intensely personal. In Irish folklore a banshee is a female spirit who foretells death with a highpitched wail. Smith’s father referred to her as a banshee as a teenager, a moniker she embraced. “There’s something really nice about transgressing your own image,” Smith says about the process. “I made a celebration of being a death figure.”
Francisco de Goya y Lucientes
circa 1824-1826, published in1859