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Las manos [Hands]
Las manos [Hands]

Las manos [Hands]

Primary (Montevideo, Uruguay, 1922–1994)
Primary (Ciudad Guzmán, Mexico, 1883–Mexico City, Mexico, 1949)
NationalityMexican, North America
Date1930
MediumLithograph
Edition Info49/100
Catalogue raisonnéMarrozzini 13
DimensionsSheet: 22 1/4 × 15 13/16 in. (56.5 × 40.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1969; Transfer from the Harry Ransom Center, 1982.1081
Keywords
Rights Statement
Collection AreaPrints and Drawings
Object number1982.1081
On View
Not on view
Image Not Available for Imágenes etícicas
Imágenes etícicas
Jorge Páez Vilaró
1970
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
1693
Image Not Available for Manos poderosas [Powerful Hands]
Manos poderosas [Powerful Hands]
Jaime Palacios
1995
This image is for study only, and may not accurately represent the object’s true color or scale…
Manos en el 210 de Fernandez Leal [Hands on 210 Fernandez Leal]
Manuel Álvarez Bravo
1976
This image is for study only, and may not accurately represent the object’s true color or scale…
Arte y computadoras en Latinoamerica: Art and Computers in Latin America. El Centro de Arte y Comunicación en la Conferencia Internacional sobre las Computadoras y la Humanidad: The Center of Art and Communication in the International Conference on Computers in the Humanities.
Jorge Glusberg
1973
Sin título (Cabeza y mano) [Untitled (Head and Hand)]
Sin título (Cabeza y mano) [Untitled (Head and Hand)]
Delia Cugat
1984
This image is for study only, and may not accurately represent the object’s true color or scale…
"Estamos oprimidos….," Serie: Las postales del CAYC -- Grupo de los Trece, No. 4
Jorge Gonzalez Mir
1973
This image is for study only, and may not accurately represent the object’s true color or scale…
Horno popular para hacer pan, serie: Las postales del CAYC -- Grupo de los Trece, No. 3.
Jorge Gamarra
1972
This image is for study only, and may not accurately represent the object’s true color or scale…
Horno popular para hacer pan, serie: Las postales del CAYC -- Grupo de los Trece, No. 3.
Jorge Gamarra
1972
This image is for study only, and may not accurately represent the object’s true color or scale…
"Estamos oprimidos….," Serie: Las postales del CAYC -- Grupo de los Trece, No. 4
Jorge Gonzalez Mir
1973
Le Gentilhomme aux mains jointes [Gentleman with Clasped Hands], from La Noblesse [The Nobility]
Le Gentilhomme aux mains jointes [Gentleman with Clasped Hands], from La Noblesse [The Nobility]
Jacques Callot
1624
Le Gentilhomme au manteau bordé de fourrure tenant ses mains derrière le dos [The Gentleman with a fur-lined mantle, with his hands clasped behind his back], from La Noblesse [The Nobility]
Le Gentilhomme au manteau bordé de fourrure tenant ses mains derrière le dos [The Gentleman with a fur-lined mantle, with his hands clasped behind his back], from La Noblesse [The Nobility]
Jacques Callot
1624