Allegory of Disillusionment, after Paolo Veronese, plate 163 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](
Primary
Benoit Audran II (called The Younger)
(Paris, France, 1698–1772)
NationalityFrench, Europe
Dateafter 1730-before 1740
MediumEtching and engraving
DimensionsSheet: 21 5/8 × 15 7/8 in. (55 × 40.3 cm)
Additional Dimension: 13 9/16 × 12 1/2 in. (34.5 × 31.7 cm)
Additional Dimension: 13 9/16 × 12 1/2 in. (34.5 × 31.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, University Purchase, P1963.4.163
Rights Statement
Collection AreaPrints and Drawings
Object numberP1963.4.163/178
On View
Not on view
Benoit Audran II (called The Younger)
after 1730-before 1740
![L’Amour heureux [Allegory of Conjugal Concord], after Paolo Veronese, plate 162 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and D](/internal/media/dispatcher/18006/thumbnail)
Jacques-Philippe Le Bas
after 1730-before 1740
Sibling Object/Sibling Object
