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Two Putti with a Cartouche above a Sphinx and a Dog, from Panels of Ornament, after Giovanni da Udine
Two Putti with a Cartouche above a Sphinx and a Dog, from Panels of Ornament, after Giovanni da Udine

Two Putti with a Cartouche above a Sphinx and a Dog, from Panels of Ornament, after Giovanni da Udine

Primary (Venice, Italy, circa 1490–Rome, Italy, after 1536)
NationalityItalian, Europe
Datecirca 1530
MediumEngraving
DimensionsSheet: 8 × 5 1/2 in. (20.3 × 14 cm)
Image: 7 13/16 × 5 3/8 in. (19.9 × 13.6 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Friends of the Archer M. Huntington Art Gallery, 1992.293
Collection AreaPrints and Drawings
Object number1992.293
On View
Not on view
Exhibitions
Panel of Ornament with Acanthus and a Swan
Panel of Ornament with Acanthus and a Swan
Agostino dei Musi, called Veneziano
circa 1530-1535
Image Not Available for Saint Bartholomew, after Marcantonio Raimondi
Saint Bartholomew, after Marcantonio Raimondi
Agostino dei Musi, called Veneziano
1510
Death of Ananias, after Raphael
Death of Ananias, after Raphael
Agostino dei Musi, called Veneziano
circa 1516
Venus and Cupid, after Raphael
Venus and Cupid, after Raphael
Agostino dei Musi, called Veneziano
1516
Image Not Available for Iphigenia Recognizing Orestes, after Baccio Bandinelli
Iphigenia Recognizing Orestes, after Baccio Bandinelli
Agostino dei Musi, called Veneziano
1510
Image Not Available for Saint Luke, after Giulio Romano
Saint Luke, after Giulio Romano
Agostino dei Musi, called Veneziano
1518
Venus Wounded by Cupid's Dart, after Raphael
Venus Wounded by Cupid's Dart, after Raphael
Agostino dei Musi, called Veneziano
1516
This image is for study only, and may not accurately represent the object’s true color or scale…
The Israelites Gathering Manna, after Raphael
Agostino dei Musi, called Veneziano
circa 1520-1525
The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]
The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]
Agostino dei Musi, called Veneziano
circa 1530
Image Not Available for Grotesques, after Giovanni da Udine, plate 76 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cro
Grotesques, after Giovanni da Udine, plate 76 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cro
Anne-Claude-Philippe de Tubieres, called Comte De Comte de Caylus
1729
Image Not Available for Grotesques, after Giovanne da Udine, plate 77 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cro
Grotesques, after Giovanne da Udine, plate 77 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cro
Anne-Claude-Philippe de Tubieres, called Comte De Comte de Caylus
1729
Image Not Available for Panel of Ornament with a battle scene, plate 5 from Ornamental Panels
Panel of Ornament with a battle scene, plate 5 from Ornamental Panels
Jean Le Pautre
1660s