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Milo of Croton, after Pordenone

Primary (active Vicenza (?), Italy, circa 1500–)
NationalityItalian, Europe
Datecirca 1540
MediumChiaroscuro woodcut
DimensionsSheet: 12 × 16 1/2 in. (30.5 × 41.9 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996.108
Collection AreaPrints and Drawings
Object number1996.108
On View
Not on view
Label Text
Looking at impressions like this one, some early connoisseurs speculated that the composition allowed for the printing of a tone block in pale ink and that the print was conceived as a chiaroscuro. The existence of one such impression, in the British Museum, proves their intuition. That tone block must have been damaged or lost early in the printing. Nonetheless, the second, line block was so skillfully cut and elaborate that it could function well on its own.
Exhibitions
Saint Jerome in the Wilderness, after Titian
Attributed to Nicolò Boldrini
1530s
Six Saints, after Titian
Attributed to Nicolò Boldrini
circa 1540
This image is for study only, and may not accurately represent the object’s true color or scale…
Charles-François Hutin
1756
Nymphs at the Bath, after Parmigianino
Attributed to Ugo da Carpi
circa 1526-27
Baccio Bandinelli
Nicolo della Casa
circa 1543-1548