Skip to main content
Advanced Search
This image is for study only, and may not accurately represent the object’s true color or scale…
Crouching Venus, after the Antique, plate 80 from Signorum Veterum Icones
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Crouching Venus, after the Antique, plate 80 from Signorum Veterum Icones

Primary (Amsterdam, Netherlands, circa 1628–The Hague, Netherlands, 1671)
NationalityDutch, Europe
Date1650
MediumEtching
DimensionsAdditional Dimension: 6 5/16 × 4 3/4 in. (16 × 12 cm)
Sheet: 7 1/8 × 5 1/2 in. (18.1 × 14 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.96
Collection AreaPrints and Drawings
Object number2002.96
On View
Not on view
This image is for study only, and may not accurately represent the object’s true color or scale…
Homer, after the Antique, plate 71 from Signorum Veterum Icones
Jan de Bisschop
1650
Last Judgment Group, after Giorgio Vasari, after Michelangelo, plate 17 from Paradigmata Graphices Variorum Artificium
Last Judgment Group, after Giorgio Vasari, after Michelangelo, plate 17 from Paradigmata Graphices Variorum Artificium
Jan de Bisschop
1648
This image is for study only, and may not accurately represent the object’s true color or scale…
A Group of Two Female Figures and a Child, and Three Separate Female Figures, plate 29 from Paradigmata Graphices Variorum Artificium
Jan de Bisschop
1689
This image is for study only, and may not accurately represent the object’s true color or scale…
Two Male Nudes Lying on Their Backs, plate 13 from Paradigmata Graphices Variorum Artificium
Jan de Bisschop
1689
Image Not Available for Christ Healing the Ten Lepers, after Girolamo Genga, plate 80 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Christ Healing the Ten Lepers, after Girolamo Genga, plate 80 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Pierre-Louis de Surugue, the younger
1729
So-Called Cicero, plate 8 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after The Antique
So-Called Cicero, plate 8 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after The Antique
Jan Witdoeck
1638
Image Not Available for Recumbent Venus, after an antique painting in the Palazzo Barberini, Rome, plate 1 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings an
Recumbent Venus, after an antique painting in the Palazzo Barberini, Rome, plate 1 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings an
Giovanni Girolamo Frezza
1729
Image Not Available for A Ferry Reaching a Riverbank, plate 6 from River Landscapes, after Jan Van Goyen
A Ferry Reaching a Riverbank, plate 6 from River Landscapes, after Jan Van Goyen
Jan de Visscher
1653
Venus with Cupid Reclining on a Bed, after Hendrick Goltzius
Venus with Cupid Reclining on a Bed, after Hendrick Goltzius
Jan Saenredam
circa 1595
This image is for study only, and may not accurately represent the object’s true color or scale…
Venus and Mercury, after Bartholomaeus Spranger
Jan Harmensz Muller
1595
Homage to Venus and Cupid, after Hendrick Goltzius
Homage to Venus and Cupid, after Hendrick Goltzius
Jan Saenredam
1596
This image is for study only, and may not accurately represent the object’s true color or scale…
Venus and Cupid, after Cornelis van Poelenburgh
Jan Gerritsz. van Bronchorst
1636