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Image Not Available for Presentation of the Virgin, after Titian, from Il Gran Teatro di Venezia, ovvero raccolta delle principali vedute e pitture che in essa si contengono [The Grand Theatre of Venice, or Cllection of the Principal Views and Paintings Found There]
Presentation of the Virgin, after Titian, from Il Gran Teatro di Venezia, ovvero raccolta delle principali vedute e pitture che in essa si contengono [The Grand Theatre of Venice, or Cllection of the Principal Views and Paintings Found There]
Image Not Available for Presentation of the Virgin, after Titian, from Il Gran Teatro di Venezia, ovvero raccolta delle principali vedute e pitture che in essa si contengono [The Grand Theatre of Venice, or Cllection of the Principal Views and Paintings Found There]

Presentation of the Virgin, after Titian, from Il Gran Teatro di Venezia, ovvero raccolta delle principali vedute e pitture che in essa si contengono [The Grand Theatre of Venice, or Cllection of the Principal Views and Paintings Found There]

Primary (Venice, Italy, 1679–Dresden, Germany, 1740)
NationalityItalian, Europe
Date1717
MediumEtching
DimensionsSheet: 16 5/8 × 23 1/2 in. (42.2 × 59.7 cm)
Additional Dimension: 13 7/8 × 22 3/16 in. (35.3 × 56.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1805
Collection AreaPrints and Drawings
Object number2002.1805
On View
Not on view
Label Text
The Presentation was executed between 1534 and 1538 for the meeting room of the Confraternity of Charity, adjacent to the church of Santa Maria della Carità, Venice. The church and its cloisters became the Accademia Gallery, where the painting can be seen in its original position.
Exhibitions
Personification of Venice with a Donor
Andrea Michieli, called Andrea Vicentino
1564
Bacchanal of the Andrians, after Titian
Giovanni Andrea Podestà
circa 1636