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Large Decoy [Señuelo grande]

Primary (Buenos Aires, Argentina, 1929–Córdoba, Argentina, 1994)
NationalityArgentinean, South America
Date1976
MediumRhoplex acrylic medium, dry pigments, and Dex-o-Tex cement on burlap and wood with wood objects
DimensionsCanvas: 90 x 76 x 4 in. (228.6 x 193 x 10.2 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, P1976.10.1
Rights Statement
Collection AreaLatin American Art
Object numberP1976.10.1
On View
Not on view
Label Text
Liliana Porter has often explored the use of everyday objects in her prints, paintings, and conceptual installations. Over time, Porter began to favor readymades with a toy-like appearance, which she represented isolated or in groups in the midst of the empty, undefined background that has characterized much of her work. Porter’s photographs and assemblages shifted from still-life arrangements to miniature portraits that endow the depicted figurines, knick-knacks, and vintage toys with a sense of inner life. Through straight-forward animation, this cast of recurrent characters comes to life in videos such as Solo de tambor, where they perform in humorous, absurd, and sometimes moving vignettes. 
Exhibitions
Interior
Marcelo Bonevardi
1981
Private Chamber
Marcelo Bonevardi
1966
Unknown Game No. 2
John G. Willenbecher
1962
Untitled
Jean Follett
1960
Untitled
Marcelo Bonevardi
1972
The Mechanics of Angels
Marcelo Bonevardi
1974
Bloodstone
Enrico Donati
1961
Buddha with Wall
Rachel Harrison
2004