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Still Life

Primary (Philadelphia, Pennsylvania, 1883–Dobbs Ferry, New York, 1965)
NationalityAmerican, North America
Date1931
MediumOil on canvas
DimensionsFramed: 29 1/2 x 21 1/2 in. (74.9 x 54.6 cm)
Canvas: 22 13/16 x 15 3/4 in. (58 x 40 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, P1969.11.2
Keywords
Rights Statement
Collection AreaModern and Contemporary Art
Object numberP1969.11.2
On View
Not on view
Label Text
A stark white vase and its single yellow lily, both painted in sharp focus, sit in a window that echoes the surrounding frame. Beyond the deeply set window lies a desert landscape, its strange forms adding to the non-referential, timeless quality of Charles Sheeler’s Still Life. Sheeler was the primary creator of Precisionism, a distinctly American hybrid of modern painting that married French Cubism’s system of planes and flattened perspective with a photographic-like painting style. As its title suggests, Still Life is an example of Sheeler’s Precisionist method as applied to a centuries old genre of painting, but the work also recalls the dream imagery of Surrealists like Max Ernst and René Magritte.
Exhibitions
Painting, 1962 (I)
Charles Howard
1962
Object number: G1976.17.6
Painting, 1964 (VI)
Charles Howard
1964
Object number: G1976.17.11
Painting, 1964 (III)
Charles Howard
1964
Object number: G1976.17.10
Painting, 1963 (I)
Charles Howard
1963
Object number: G1976.17.9
Painting - 1962 (VII)
Charles Howard
1962
Object number: G1976.17.8
Painting, 1962 (V)
Charles Howard
1962
Object number: G1976.17.7
Two Seated Figures
Charles Cajori
1968
Object number: P1969.16.1
Going for Reinforcements
Charles Schreyvogel
1901
Object number: 1985.85
Medicine Man
Charles Marion Russell
1916
Object number: G1976.21.30
Painting - 1962 VI
Charles Howard
1962
Object number: P1969.14.1
Homage to Sterling Brown
Charles White
1972
Object number: 2014.91
New York, 10/35
Charles Joseph Biederman
1935
Object number: 1985.17