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Circus Forms

Primary (Freiburg, Germany, 1900–New York, New York, 1973)
NationalityAmerican, North America
Date1938
MediumOil on masonite
DimensionsFramed: 60 3/4 x 40 3/4 in. (154.3 x 103.5 cm)
Canvas: 59 13/16 x 39 3/4 in. (152 x 101 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, G1968.75
Rights Statement
Collection AreaModern and Contemporary Art
Object numberG1968.75
On View
Not on view
Label Text
Carl Holty's charismatic abstract shapes in Circus Forms dance around the painting with playful lines, evoking and recreating a circus performance. Using a subject that appealed to his realist contemporaries, Holty demonstrates the possibilities of abstraction to represent subjects from daily life. Holty was a proponent of geometric abstraction and one of the founders of the American Abstract Artists, a group established in 1936. Holty and the geometric abstractionists rejected surrealism and cubism, instead creating abstract compositions with flat, geometric forms. He often incorporated biomorphic shapes, such as the three major black and yellow forms in this work, to suggest the figure while still working within a geometric vocabulary. Holty was constantly trying to break away from what he called "the old spatial systems." His abstract works lack spatial certainty, allowing shapes to float and interact and providing visual dynamism and varying interpretations.
Exhibitions
Abstract Painting
Carl Robert Holty
not dated
Table
Carl Robert Holty
1940
This image is for study only, and may not accurately represent the object’s true color or scale…
Carl Robert Holty
1945
Conversation
Carl Robert Holty
not dated
Calliope
Carl Robert Holty
1947
Shield of Achilles
Carl Robert Holty
1966
Red Desert
Carl Robert Holty
1965-1966
Romanza
Carl Robert Holty
1964
Red Mountains
Carl Robert Holty
circa 1961-circa 1962
Primal Form
Seymour Fogel
1957
Karyo
Carl Morris
1963
Still Further South
Carl Ostendarp
1990