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The Captive

Primary (New York, New York, 1913–Great Neck, New York, 2010)
NationalityAmerican, North America
Datecirca 1974
MediumOil on masonite
DimensionsFramed: 30 1/16 x 41 3/4 in. (76.3 x 106 cm)
Canvas: 24 3/16 x 36 1/8 in. (61.5 x 91.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991.24
Rights Statement
Collection AreaModern and Contemporary Art
Object number1991.24
On View
Not on view
Label Text
Chiriacka is a painter of western scenes reminiscent of the well-known late-nineteenth century western frontier paintings of Remington and Russell. The artist's style, while influenced by these artists, reveals other origins as well. The whitened palette is similar to the light-filled colors of the Impressionist painters and the sketchiness of his brushstroke may reflect the influence of American artists such as Robert Henri. Chiriacka creates a dramatic sense of tension in his composition through the juxtaposition of the severe stoicism of the captured Native American and the uneasiness of the guard following him.
Arapahoe Camp
Ernest Chiriacka
not dated
On the Warpath
Ernest-Étienne Narjot de Francheville
circa 1851-circa 1895
Abstract Painting
Carl Robert Holty
not dated
Day's End, from Cotton Series
Merritt Mauzey
circa 1960
Cotton
Merritt Mauzey
circa 1960
My Brother's Keeper
Merritt Mauzey
circa 1941
Vanquished
Merritt Mauzey
1930
I Would Come to Destroy, Not Save
Merritt Mauzey
circa 1944
Color Saints
Margo Hoff
1965
Symbol of Belief
Seymour Fogel
not dated
After the Storm
Michael Frary
circa 1955
Oil Field Lights
Stephen Thomas Rascoe
not dated