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Golden Goat

Primary (Fox Valley, Oregon, 1910–Loleta, California, 2001)
NationalityAmerican, North America
Date1955
MediumOil on canvas over masonite on canvas
DimensionsSight: 35 3/8 × 47 5/8 in. (89.9 × 121 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991.225
Rights Statement
Collection AreaModern and Contemporary Art
Object number1991.225
On View
Not on view
Label Text
Morris Graves’s depictions of nature have a strong spiritual quality that perhaps reflects his devotion to the principles of Zen Buddhism as well as his intensely private life, which he spent predominantly in the heavily forested landscape of his native Pacific Northwest. Animals are a consistent subject for Graves and serve as a kind of personal symbolism for the values and qualities of life that he most admired. Golden Goat was executed during a two-year stay in Ireland and represents Graves’s high esteem for the singular and independent Irish spirit. Rendered in a simple, linear style on a background of patterned brushwork, the work has a delicate, haunting quality reminiscent of Japanese painting.