Skip to main content

Cowboy Dentist

Primary (San Francisco, California, 1934–Germantown, New York, present)
Printer (Philadelphia, Pennsylvania, 1948–Carmel Valley, California, present)
NationalityAmerican, North America
Date1983
MediumTwo-color lithograph
Edition InfoUniversitiy of Texas Impression, artist's proof, 3/3
DimensionsSheet: 30 1/8 × 22 5/16 in. (76.5 × 56.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984.33
Collection AreaPrints and Drawings
Object number1984.33
On View
Not on view
Label Text
A critique of art and power appears in the cartoon style of Peter Saul, an artist who consciously situates his work against the elitism of the art world. In addition to engaging at times in his own scathing brand of appropriation, Saul upsets conventional notions of high art by drawing upon the sex-and-violence fantasy worlds of Mad magazine and the alternative comic strips of R. Crumb. Combining his signature Day-glo colors with writing and misshapen figures in a parody of Texas pride, Cowboy Dentist is a disconcertingly perfect example.
Exhibitions
Cowboy Dentist
Peter Saul
1983
Object number: 2017.197
Amboosh
Peter Saul
1968
Object number: 2008.23
Angela Davis
Peter Saul
1972
Object number: 2008.24
G. I. on Cross
Peter Saul
1967
Object number: 2008.25
Nude Descending a Staircase
Peter Saul
1976
Object number: 2017.198
Golden Gate Bridge
Peter Saul
1968
Object number: 2008.26
Hoomin Consurn/Personal Torment
Peter Saul
1969
Object number: 2008.27
Creeps, from Texas Prints 2001
Peter Saul
2001
Object number: 2011.53.22/31
Untitled (Faculty Meeting Doodles)
Peter Saul
1989
Object number: 1992.228.a-e
Title page, from Two Hours
Peter Saul
1994
Object number: 1996.223.1/9
Untitled [Con Fashions of a Rug Feeler], from Two Hours
Peter Saul
1994
Object number: 1996.223.2/9