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Sleeping Shepherdess (Fall)

Primary (Bologna, Italy, 1665–1747)
NationalityItalian, Europe
Date1698
MediumOil on copper
DimensionsAdditional Dimension: 6 1/4 × 9 in. (15.9 × 22.9 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1062
Collection AreaEuropean Painting and Sculpture
Object number2017.1062
On View
Not on view
Label Text
Giuseppe Maria Crespi’s paintings are characterized by the masterful treatment of light achieved by free brushwork and sophisticated use of colors, which he learned from Venetian art. This luminous quality is most apparent in his small paintings on copper executed for private patrons. On the smooth surface, the painter’s virtuoso strokes create intimate and charming images that glisten against dark backgrounds. The depiction of contemporary life was a passion for Crespi throughout his career. These three small paintings of shepherdesses represent bucolic reveries, without specific literary sources attached to them. The works are meant to evoke a poetic mood rather than to communicate a message.
Exhibitions
Sleeping Shepherdess Teased by a Boy
Giuseppe Maria Crespi
circa 1695-1700
Woman Surprised by a Boy (Spring)
Giuseppe Maria Crespi
1698
Nymphs Disarming Sleeping Cupids
Giuseppe Maria Crespi
1688
Joseph Interpreting the Dreams in Prison
Circle of Giuseppe Maria Crespi
1690
Saint James Vanquishing the Moors
Cerano (Giovanni Battista Crespi)
circa 1630
Ecce Homo
Daniele Crespi
circa 1623
The Conversion of Saint Paul
Daniele Crespi
circa 1621
Holy Family in the Carpenter's Shop
Antonio Mondino
late 1630s
A Village Scene
Circle of Jan Brueghel, the elder, called Velvet
1590
Diana and Callisto
Jan Brueghel the Elder, called Velvet
circa 1605-8