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Incredulity of Saint Thomas

Primary (Cento, Italy, 1591–Bologna, Italy, 1666)
NationalityItalian, Europe
Date1612
MediumPen and iron gall ink with brush and gray wash and pale blue wash (later additio
DimensionsSheet: 6 1/2 × 9 5/16 in. (16.5 × 23.6 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1167
Collection AreaPrints and Drawings
Object number2017.1167
On View
Not on view
Label Text
This is a study for the composition of a painting executed for Bartolomeo Fabri of Cento and today in the National Gallery, London. Characteristic of Guercino’s early draftsmanship are its extraordinary economy in the description of form and rhythm in the movement of line. However preliminary, the drawing not only establishes the basic design -- the position and behavior of the protagonists -- but already suggests the pictorial properties -- the saturated color and intense light -- of the finished work. It is the only drawing known to relate to the paint-ing
Exhibitions
Saint Joseph with the Christ Child Holding a Bird
Guercino (Giovanni Francesco Barbieri)
circa 1621-23
Young Woman in Profile facing Left
Guercino (Giovanni Francesco Barbieri)
1612
Andromeda Chained to the Rock
Guercino (Giovanni Francesco Barbieri)
1648
Sisyphus
Guercino (Giovanni Francesco Barbieri)
1636
Study of a Youth, half-length
Follower of Giovanni Francesco Barbieri, called Guercino
1612
Mercury Leading Geography
Giovanni Battista Gaulli (Baciccio)
circa 1690
A Franciscan Saint
Guercino (Giovanni Francesco Barbieri)
1612
A Sibyl
Luca Cambiaso
mid 1570s
Rape of Proserpina
Luca Cambiaso
circa 1562-63
A Landscape with a Central Tree and Spire
Guercino (Giovanni Francesco Barbieri)
1630s