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Adoration of the Shepherds

Primary (Verona, Italy, 1666–1740)
NationalityItalian, Europe
Datecirca 1704
MediumPen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down
DimensionsSheet: 9 7/16 × 12 1/16 in. (24 × 30.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.888
Collection AreaPrints and Drawings
Object number2017.888
On View
Not on view
Label Text
Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice.
Exhibitions
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
The Rest on the Flight into Egypt
Paolo Gerolamo Piola
circa 1690-1694
Juno and the Slain Argus
Giovanni Benedetto Castiglione
1630s
The Conversion of Saint Paul
Paolo Farinati
late 1580s
Mercury Leading Geography
Giovanni Battista Gaulli (Baciccio)
circa 1690
Finding of Moses
Antonio Balestra
1688
Adoration of the Magi
Domenico Tintoretto
1582
Flight into Egypt
Cigoli (Ludovico Cardi)
1607
The Creation of Eve
Jacopo Negretti, called Palma Giovane
1573
Birth of Adonis
Marcantonio Franceschini
1692
The Entombment
Luca Cambiaso
early 1570s