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Holy Family

Primary (Venice, Italy, 1707–1769)
NationalityItalian, Europe
Date1740s
MediumPen and iron gall ink on cream antique laid paper
DimensionsSheet: 11 9/16 × 8 1/2 in. (29.3 × 21.6 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1120
Collection AreaPrints and Drawings
Object number2017.1120
On View
Not on view
Label Text
Fontebasso was, with Gaspare Diziani, the most interesting of the secondary masters in 18th-century Venice. His style was based upon Sebastiano Ricci’s extroverted color and drama, but simplified in design, infused with a more textured realism gathered from early experiences in Rome and Bologna, and touched by the lighter palette of Tiepolo. Monumental in construction yet charming and vibrant, with its trademark hatching recalling Fontebasso’s significant activity as an etcher, this is one of his finest drawings.
Exhibitions
Saint Joseph with the Christ Child Holding a Bird
Guercino (Giovanni Francesco Barbieri)
circa 1621-23
Object number: 2017.1169
Groom Leading a Horse with Three Figures
Francesco Fontebasso
1730
Object number: 2017.1119
Andromeda Chained to the Rock
Guercino (Giovanni Francesco Barbieri)
1648
Object number: 2017.1166
Young Woman in Profile facing Left
Guercino (Giovanni Francesco Barbieri)
1612
Object number: 2017.1173
Carlo Antonio Tavella
1716
Object number: 2017.1385
Mercury Leading Geography
Giovanni Battista Gaulli (Baciccio)
circa 1690
Object number: 2017.1139
Madonna and Child with the Young Saint John the Baptist
Ubaldo Gandolfi
1770s
Object number: 2017.1136
Visitation
Workshop of Luca Cambiaso
circa 1563–64
Object number: 2017.988
Groups of Onlookers
Circle of Jacques Callot
circa 1625-1650
Object number: 2017.944
A Design for a Fan with Apollo and Daphne
Francesco Fontebasso
1730
Object number: 2017.1117
The Assumption of the Virgin
Francesco Fontebasso
1730
Object number: 2017.1121