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Head of Saint Michael

Primary (Verona, Italy, 1528–Venice, Italy, 1588)
NationalityItalian, Europe
Datecirca 1563
MediumOil on canvas
DimensionsCanvas: 16 1/8 x 12 5/8 in. (41 x 32.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1416
Collection AreaEuropean Painting and Sculpture
Object number2017.1416
On View
Not on view
Label Text
This painting is a fragment of a fifteen-foot-tall altarpiece painted for the church of San Francesco at Lendinara, a small town near Padua, Italy. Commissioned by the cousins Antonio and Girolamo Petrobelli, the painting was one of the major projects of Paolo Veronese’s career. By 1785 the church was abandoned and demolished, and the altarpiece was cut and sold in pieces in 1788 to maximize profits. Four fragments have been identified to date. The original canvas had the body of Jesus supported by angels in the upper register and the two donors with their respective patrons—Saint Anthony Abbot and Saint Jerome—in the lower register. Saint Michael stood in the center, holding in his right hand a spear pointed at the demon and in his left scales to weigh souls on Judgment Day. The upright form of the archangel figure connects the upper and lower sections of the composition, while also reflecting the intermediary role of the much-venerated saint.
Exhibitions
Three Cherubim
Paolo Veronese
1570s (?)
The Annunciation
Workshop of Paolo Veronese
circa 1585
Esther before Ahasuerus
Copy after Paolo Caliari, called Veronese
1550
Prodigal Son
Bonifazio de Pitati, called Bonifazio Veronese
1610
Scorpio
Bonifazio de Pitati, called Bonifazio Veronese
1610
Landscape with Saint Jerome and Christ Baptizing Saints
Pietro Paolo Bonzi, called Gobbo dei Carracci
1620s
The Madonna and Child with Saints
Attributed to Jacopo di Paolo Marieschi
1733
Head of the Virgin
Workshop of Paolo Veronese
1550
David with the Head of Goliath
Claude Vignon
circa 1620-1623