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Personification of Justice

Primary (Avignon, France, 1696–Rome, Italy, 1776)
NationalityFrench, Europe
Datecirca 1750s
MediumBlack and white chalks on beige antique laid paper
DimensionsSheet: 20 5/16 × 15 9/16 in. (51.6 × 39.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1278
Collection AreaPrints and Drawings
Object number2017.1278
On View
Not on view
Label Text
Trained in France with family members, settled in Rome by 1717, Parrocel specialized in the production of altarpieces. His style is related to the late Baroque classicism of Carlo Maratta and later Pompeo Batoni, but distinguished by a more deliberate measure, delicate color, and clear light that are recognizably French. Certainly preparatory, although for a project awaiting identification, this study is a grand example of his command and subtle inflection of academic draftsmanship.
Exhibitions
The Conversion of Saint Paul
Paolo Farinati
late 1580s
Justice and Abundance
Giovanni Francesco Romanelli
1655-57
Drapery Study for a Female Figure with Her Arm Raised
Giovanni Battista Piazzetta
circa 1735-38
Dancing Angel with Cymbals
Lorenzo De Ferrari
circa 1738
The Creation of Eve
Jacopo Negretti, called Palma Giovane
1573
Saint John the Baptist
Giovanni Battista Piazzetta
circa 1720
Saint Dominic Resuscitating a Mason
Sebastiano Conca
circa 1715
A Kneeling Youth with His Hands Bound
Fra Semplice da Verona
1620s
Dido and Aeneas
François Le Moyne
circa 1721
Christ Crowning the Virgin
Baldassare Franceschini, called Volterrano
1653