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Ecce Homo

Primary (Moneglia, Italy, 1527–El Escorial, Spain, 1585)
NationalityItalian, Europe
Dateearly 1570s
MediumOil on canvas
DimensionsCanvas: 42 1/2 x 38 9/16 in. (108 x 98 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.963
Collection AreaEuropean Painting and Sculpture
Object number2017.963
On View
On view
Locations
  • exhibition  BMA, Gallery, A5
Label Text
"Ecce Homo," a Latin phrase meaning “behold the man,” represents a scene from the Passion. Pontius Pilate presents Jesus, bound and crowned with thorns, before a crowd demanding his crucifixion. Here the tumult of the scene is replaced with a quiet, almost meditative atmosphere. The simplicity of narrative closely reflects the religious and artistic environment in which Luca Cambiaso worked. Faced with the rise of Protestantism in the sixteenth century, the Catholic Church carried out a series of reforms, now referred to as the Counter-Reformation. During this period, the Catholic Church encouraged artists to make decorous images with minimal distractions, like this painting, to communicate the Catholic doctrines effectively. Through its simplified composition, Cambiaso’s "Ecce Homo" invites the viewer to focus on the suffering of Jesus.
Exhibitions
Adoration of the Shepherds
Luca Cambiaso
late 1570s
Esther and Ahasuerus
Luca Cambiaso
circa 1569
Holy Family with Saint Anne
Follower of Luca Cambiaso
late 1570s
The Suicide of Lucretia
Luca Cambiaso
circa 1565
Ecce Homo
Daniele Crespi
circa 1623
Ecce Homo
Unknown Milanese
1490s
A Lady with Castanets
Circle of Luca Giordano
1660
Presentation in the Temple
Workshop of Luca Giordano
circa 1693-94
The Annunciation
Attributed to Luca Mombello
1548