The Assumption of Mary Magdalene
Primary
Riccardo Taurini
(Milan, Italy, 1607/1608–1678)
NationalityItalian, Europe
Date1630s
MediumOil on canvas
DimensionsCanvas: 50 1/4 x 41 7/16 in. (127.7 x 105.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1384
Rights Statement
Collection AreaEuropean Painting and Sculpture
Object number2017.1384
On View
Not on viewCollection Highlight
According to "The Golden Legend," Mary Magdalene spent her last thirty years as a hermit in a cave in Sainte-Baume, a mountain ridge in southern France. Seven times a day angels carried her aloft to heaven, where she glimpsed her coming reward. The representation of this ecstatic scene emerged during the Counter-Reformation and became common in Baroque art as a way to encourage the veneration of saints in the Catholic Church.
The pronounced foreshortening of the saint’s left foot and the angel figures indicates the painting was originally placed high above the viewer’s eye level, probably over an altar.
Francesco Guarino
circa 1640-1645