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He was known because of his precision, plate 11 from Uruguayan Torture Series
He was known because of his precision, plate 11 from Uruguayan Torture Series

He was known because of his precision, plate 11 from Uruguayan Torture Series

Primary (Lübeck, Germany, 1937–Grate Neck, New York, present)
Printer (Lübeck, Germany, 1937–Grate Neck, New York, present)
NationalityUruguay, South America
Date1983
MediumFour-color photo etching on chine collé
DimensionsSheet: 29 9/16 × 21 7/8 in. (75.1 × 55.5 cm)
Additional Dimension: 9 3/4 × 11 13/16 in. (24.8 × 30 cm)
Image: 9 7/16 × 11 5/8 in. (24 × 29.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992.253.11
Keywords
Collection AreaPrints and Drawings
Object number1992.253.11/35
On View
Not on view
Label Text
Luis Camnitzer worked with the strategies of Conceptualism to address a difficult subject matter—the torture of civilians under the dictatorship that ruled Uruguay from 1973 to 1985. Based on extensive research and interviews, this series of thirty-five prints alludes to actual incidents, yet Camnitzer consciously avoided clear graphic and documentary depictions. Juxtaposing seemingly innocuous phrases and photographs, he structured a narrative that leaves viewers with the burden of imagining the dire incidents that could possibly connect text and image. Camnitzer hopes that by assuming partial authorship, viewers may experience what he calls “a perceptual and political awakening.”
Exhibitions