The instrument was explained in detail, plate 15 from Uruguayan Torture Series
Primary
Luis Camnitzer
(Lübeck, Germany, 1937–Grate Neck, New York, present)
Printer
Luis Camnitzer
(Lübeck, Germany, 1937–Grate Neck, New York, present)
NationalityUruguay, South America
Date1983
MediumFour-color photo etching on chine collé
DimensionsSheet: 29 5/16 × 21 7/8 in. (74.4 × 55.6 cm)
Image: 9 × 11 9/16 in. (22.9 × 29.3 cm)
Image: 9 × 11 9/16 in. (22.9 × 29.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992.253.15
Keywords
Rights Statement
Collection AreaPrints and Drawings
Object number1992.253.15/35
On View
Not on viewLuis Camnitzer worked with the strategies of Conceptualism to address a difficult subject matter—the torture of civilians under the dictatorship that ruled Uruguay from 1973 to 1985. Based on extensive research and interviews, this series of thirty-five prints alludes to actual incidents, yet Camnitzer consciously avoided clear graphic and documentary depictions. Juxtaposing seemingly innocuous phrases and photographs, he structured a narrative that leaves viewers with the burden of imagining the dire incidents that could possibly connect text and image. Camnitzer hopes that by assuming partial authorship, viewers may experience what he calls “a perceptual and political awakening.”
Exhibitions