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The Myth of Callisto

Primary (Sant'Angelo in Vado Marches, Italy, 1540–1542–Ancona, Italy, 1609)
after (Siena, Italy, 1481–Rome, Italy, 1536)
NationalityItalian, Europe
Datelate 1560s
MediumBlack and red chalks on antique laid paper
DimensionsSheet: 9 × 13 13/16 in. (22.9 × 35.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004.162
Collection AreaPrints and Drawings
Object number2004.162
On View
Not on view
Label Text
After a fresco in the Villa Farnesina by Baldassare Peruzzi, Federico Zuccaro was following an age old practice of learning how to draw: copying. For each of the bulls, Zuccaro explores the range of a single color, paying special attention to describing the bulls’ anatomy, texture, and whimsical expressions. But throughout the rest of the drawing, red and black chalks interlace. In the figure of Callisto, the two colors appear equally, gestural lines merely suggesting her body. In the original fresco, Baldassare Peruzzi may have merged imagery from different myths, where Zeus sometimes appears as a white bull. In the story of Callisto, Zeus transforms the nymph and her son, Arcas, into the constellations Ursa Major and Minor. The chariot may represent Hera, Zeus’s wife, who tore across the night sky, enraged at their immortalization.
Exhibitions
Christ Healing the Blind Man
Federico Zuccaro
1568
Prudence and Foresight
Giovanni Francesco Romanelli
1655-57
Justice and Abundance
Giovanni Francesco Romanelli
1655-57
A Kneeling Youth with His Hands Bound
Fra Semplice da Verona
1620s
Saint Peter in Cattedra Surrounded by Acanthus
Giuseppe Cesari, called Cavalier d'Arpino
circa 1603
Blindfolded Cupid
Unknown Bolognese
17th century
A Prophet and a Sibyl
Federico Zuccaro
1573
Dancing Angel with Cymbals
Lorenzo De Ferrari
circa 1738
Drapery Study for a Female Figure with Her Arm Raised
Giovanni Battista Piazzetta
circa 1735-38
Saint John the Baptist
Giovanni Battista Piazzetta
circa 1720