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Visitation

Primary (Bologna, Italy, 1555–Milan, Italy, 1629)
NationalityItalian, Europe
Date1595-96
MediumOil on canvas
DimensionsAdditional Dimension: 83 7/8 × 57 1/2 in. (213 × 146 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Suzan and Julius Glickman, M.K. Hage, Jr., Derek Johns, Lawrence Lawver, Susan Thomas, Julia Wilkinson, and Jimmy and Jessica Younger, 2005.33
Collection AreaEuropean Painting and Sculpture
Object number2005.33
On View
On view
Locations
  • exhibition  BMA, Gallery, A1
Collection Highlight
Label Text
Mary glides into the scene as the sunlight before dusk enriches the palette with a golden vibrancy. With Jesus in her womb, she will spend the next three months with her cousin, Elizabeth, who is six months pregnant. At the sound of Mary’s voice, Elizabeth is filled with the Holy Spirit as the child in her womb leaps for joy. While Mary’s husband Joseph is not present in the scripture, he appears to the right of the Virgin as a narrative device to evidence Zacharias’s muteness. Because Zacharias doubted his wife’s ability to conceive, the angel Gabriel punished his lack of faith by rendering him mute until the birth of his son, John the Baptist. Here, Zacharias gestures his salutations to Joseph, whose furrowed gaze is troubled by his lack of speech. The Visitation is a popular scene from the life of the Virgin, having been depicted by Camillo Procaccini numerous times. A preparatory drawing for the present piece is kept at the Biblioteca Ambrosiana in Milan.
Rest on the Flight into Egypt
Camillo Procaccini
1587-1590
The Transfiguration
Camillo Procaccini
circa 1589-1590
The Visitation
Unknown German
18th century
Huntsman with Deer, Horse and Rifle
Arthur Fitzwilliam Tait
1854
Hendrick Van Gelder
Unknown (formerly attributed to Anthony van Dyck)
circa 1625
Lady Charlotte Hornby
Sir Thomas Lawrence
1796
The Adoration of the Magi
Francesco Fontebasso
1740s
Raising of Lazarus
Joachim Wtewael and workshop
circa 1595-1600
The Departure of Hagar
Attributed to Johann Franz Michael Rottmayr
1679
Sacrifice of Isaac
Jacopo Bassano (Jacopo da Ponte)
circa 1577
The Crucifixion of Saint Andrew
Attributed to Paul Troger
1720