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Libert, from Le Café Concert
Libert, from Le Café Concert

Libert, from Le Café Concert

Primary (Paris, France, 1867–1936)
Printer
NationalityFrench, Europe
Date1893
MediumLithograph
DimensionsSheet: 17 1/8 × 12 1/2 in. (43.5 × 31.7 cm)
Additional Dimension: 13 3/4 × 9 5/8 in. (35 × 24.5 cm)
Image: 13 3/4 × 9 5/8 in. (35 × 24.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1982.520
Collection AreaPrints and Drawings
Object number1982.520
On View
Not on view
Exhibitions
Kahn Hill, from Le Café Concert
Kahn Hill, from Le Café Concert
Henri-Gabriel Ibels
1893
Pantomime, from L'Estampe moderne [The Modern Print]
Pantomime, from L'Estampe moderne [The Modern Print]
Henri-Gabriel Ibels
1898
Image Not Available for Play Program for "La belle au bois revant", "Mariage d'argent", and "Ahasvere"
Play Program for "La belle au bois revant", "Mariage d'argent", and "Ahasvere"
Henri-Gabriel Ibels
1892
Image Not Available for Untitled (man in apron)
Untitled (man in apron)
Henri-Gabriel Ibels
1887
Image Not Available for Pastorale [The Pastoral Concert], after Titian, plate 138 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the
Pastorale [The Pastoral Concert], after Titian, plate 138 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the
Nicolas-Gabriel Dupuis
1729
Image Not Available for Guardian Angel, after Domenico Fetti, plate 102 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet C
Guardian Angel, after Domenico Fetti, plate 102 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet C
Nicolas-Gabriel Dupuis
1729
The Adoration of the Magi, after Paolo Veronese, plate 169 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
The Adoration of the Magi, after Paolo Veronese, plate 169 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
Nicolas-Gabriel Dupuis
after 1730-before 1740
This image is for study only, and may not accurately represent the object’s true color or scale…
Paisaje, ciudad rota [Landscape, Broken City], from México nueve [Mexico Nine]
Gabriel Macotela
1986
This image is for study only, and may not accurately represent the object’s true color or scale…
Paisaje cementerio [Cemetery Landscape], from México nueve [Mexico Nine]
Gabriel Macotela
1986
Le Polichinelle [Punch and Judy Show], from L'Estampe moderne [The Modern Print]
Le Polichinelle [Punch and Judy Show], from L'Estampe moderne [The Modern Print]
Henri-Patrice Dillon
1898
Saluant le public [Bowing to the Audience], plate 8 from Yvette Guilbert (Série anglaise [The English Series])
Saluant le public [Bowing to the Audience], plate 8 from Yvette Guilbert (Série anglaise [The English Series])
Henri de Toulouse-Lautrec
1898
L'Errant [The Wanderer], from Les Temps nouveaux [The New Times]
L'Errant [The Wanderer], from Les Temps nouveaux [The New Times]
Henri-Edmond Cross
1896