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This image is for study only, and may not accurately represent the object’s true color or scale…
David étranglant le lion [David Strangling the Lion], frontispiece to Urbain VIII, Maphaei...Barberini...Poemata [Poems by Cardinal Barberini], after Giovanni Lorenzo Bernini
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

David étranglant le lion [David Strangling the Lion], frontispiece to Urbain VIII, Maphaei...Barberini...Poemata [Poems by Cardinal Barberini], after Giovanni Lorenzo Bernini

Primary (Abbeville, France, 1598–Paris, France, 1688)
NationalityFrench, Europe
Date1632
MediumEngraving
DimensionsSheet: 8 1/4 × 5 13/16 in. (20.9 × 14.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1455
Collection AreaPrints and Drawings
Object number2002.1455
On View
Not on view
Le Cardinal de Richelieu, agenouillé [Cardinal Richelieu, kneeling], frontispiece from Armand-Jean Du Plessis, cardinal de Richelieu, Traité de la perfection du chrétien...[Treatise of the Perfection of Christians...]
Le Cardinal de Richelieu, agenouillé [Cardinal Richelieu, kneeling], frontispiece from Armand-Jean Du Plessis, cardinal de Richelieu, Traité de la perfection du chrétien...[Treatise of the Perfection of Christians...]
Claude Mellan
1646
Image Not Available for Cardinal Antonio Barberini
Cardinal Antonio Barberini
Robert Nanteuil
1657
Image Not Available for XII poemas de Veronica Volkow; VIII grabados de Francisco Toledo [XII Poems by Veronica Volkow; VIII Prints by Francisco Toledo]
XII poemas de Veronica Volkow; VIII grabados de Francisco Toledo [XII Poems by Veronica Volkow; VIII Prints by Francisco Toledo]
Francisco Toledo
1983
This image is for study only, and may not accurately represent the object’s true color or scale…
Frontispiece for Biblia sacra [The Holy Bible] after Nicolas Poussin
Claude Mellan
1642
This image is for study only, and may not accurately represent the object’s true color or scale…
Cardinal Guido Bentivoglio
Claude Mellan
1633
This image is for study only, and may not accurately represent the object’s true color or scale…
Frontispiece for an unidentified book by the Order of Holy Spirit
Claude Mellan
1620
Image Not Available for Recumbent Venus, after an antique painting in the Palazzo Barberini, Rome, plate 1 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings an
Recumbent Venus, after an antique painting in the Palazzo Barberini, Rome, plate 1 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings an
Giovanni Girolamo Frezza
1729
Image Not Available for Pallas Athena, after an antique painting in the Palazzo Barberini, Rome, plate 2 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and
Pallas Athena, after an antique painting in the Palazzo Barberini, Rome, plate 2 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and
Giovanni Girolamo Frezza
1729
David Strangling the Bear, after Peter Paul Rubens
David Strangling the Bear, after Peter Paul Rubens
Willem Panneels
1624-1640
Image Not Available for Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Avanzi di un Collegio di Silvano Aureliano distanti circa quattro miglia da Roma fuori della Porta Maggiore nel luogo denominato Le Cento-Celle spettante all' eccellentissima Casa Barberini [Ruins of a college of Silvanus Aurelianus about four miles from
Avanzi di un Collegio di Silvano Aureliano distanti circa quattro miglia da Roma fuori della Porta Maggiore nel luogo denominato Le Cento-Celle spettante all' eccellentissima Casa Barberini [Ruins of a college of Silvanus Aurelianus about four miles from
Giovanni Battista Piranesi
1740