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Image Not Available for Plate VIII: Vase from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate VIII: Vase from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Image Not Available for Plate VIII: Vase from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture

Plate VIII: Vase from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture

Primary (1892–1972)
Secondary artist (Italian, 1427–1479)
Place MadeItaly, Europe
NationalityAmerican, North America
Date1934
MediumGelatin silver print mounted on paper
DimensionsMount: 19 1/4 x 13 1/4 in. (48.895 x 33.655 cm)
Image: 10 1/4 x 6 1/2 in. (26.035 x 16.51 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Transfer from the Smith College Museum of Art, Northampton, Massachusetts, Gift of Mrs. Edwin H. Land, 2022.8.8
Rights Statement
Collection AreaModern and Contemporary Art
Object number2022.8.8
On View
Not on view
Collection Highlight
Image Not Available for Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate III: Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate IV: Cornucopia from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate IV: Cornucopia from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate V: Head of the Unicorn from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate VI: Garland of Fruit from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate VI: Garland of Fruit from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate VII: Bull-slayer from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate VII: Bull-slayer from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate IX: Motive in Inlaid Marbles from the Base from Sarcophagus; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate IX: Motive in Inlaid Marbles from the Base from Sarcophagus; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate II: Seated Figure Resting against a Lion's Head from Base; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate I: Entrance Arch of the Chapel and the Tomb from The Chapel of the Cardinal of Portugal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate I: Entrance Arch of the Chapel and the Tomb from The Chapel of the Cardinal of Portugal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XV: Head from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XV: Head from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XVI: Hands from Above from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XVI: Hands from Above from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXXIV: Whole from Cherub's Head at the Top of the Tomb; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXXIV: Whole from Cherub's Head at the Top of the Tomb; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934