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Image Not Available for Plate XIV: Left Arm and Hand from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XIV: Left Arm and Hand from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Image Not Available for Plate XIV: Left Arm and Hand from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture

Plate XIV: Left Arm and Hand from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture

Primary (1892–1972)
Secondary artist (Italian, 1427–1479)
Place MadeItaly, Europe
NationalityAmerican, North America
Date1934
MediumGelatin silver print mounted on paper
DimensionsMount: 19 1/4 x 13 1/4 in. (48.895 x 33.655 cm)
Image: 10 1/8 x 6 5/8 in. (25.7175 x 16.8275 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Transfer from the Smith College Museum of Art, Northampton, Massachusetts, Gift of Mrs. Edwin H. Land, 2022.8.14
Rights Statement
Collection AreaModern and Contemporary Art
Object number2022.8.14
On View
Not on view
Collection Highlight
Image Not Available for Plate XIII: Head, Facing Left from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XIII: Head, Facing Left from Putto at the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XI: Whole from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XII: Head, Facing Right from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XII: Head, Facing Right from Putto at the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXXII: Head from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXXII: Head from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXXIII: Feet and Flying Drapery from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXXIII: Feet and Flying Drapery from Flying Angel Above the Foot of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXX: Hands from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXX: Hands from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXIX: Upper Part of the Figure from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXIX: Upper Part of the Figure from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXXI: Drapery at the Waist from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXXI: Drapery at the Waist from Flying Angel Above the Head of the Bier; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XX: Foot from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XX: Foot from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXIII: Foot from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXIII: Foot from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XVI: Hands from Above from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XVI: Hands from Above from Figure of the Cardinal; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXII: Arm from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXII: Arm from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934