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Hercules at the Crossroads, after Paolo Matheis
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Hercules at the Crossroads, after Paolo Matheis

Primary (Blois, France, 1661–London, England, 1733)
NationalityFrench, Europe
Date1713
MediumEngraving
DimensionsSheet: 8 9/16 × 11 1/4 in. (21.8 × 28.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.628
Collection AreaPrints and Drawings
Object number2002.628
On View
Not on view
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Hercules at the Crossroads, after Annibale Carracci
Pietro Aquila
1675
Image Not Available for Crossroads
Crossroads
Clare Leighton
circa 1940
This image is for study only, and may not accurately represent the object’s true color or scale…
The House at the Crossroads
Allan Gwynne-Jones
1926
This image is for study only, and may not accurately represent the object’s true color or scale…
Hercules Tearing the Lion
Erasmus Quellinus II
1632
This image is for study only, and may not accurately represent the object’s true color or scale…
A Crippled Man, from L'arti di Bologna [The Cries of Bologna], after Annibale Carracci
Simon Guillain II
1643
Christ at Emmaus, after Paolo Veronese, plate 154 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Christ at Emmaus, after Paolo Veronese, plate 154 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Henri-Simon Thomassin
after 1730-before 1740
Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Simon Francois Ravenet, the elder
after 1730-before 1740
Allegory of Infidelity, after Paolo Veronese, plate 164 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the C
Allegory of Infidelity, after Paolo Veronese, plate 164 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the C
Simon de la Vallee
after 1730-before 1740
André-Hercule de Fleury, after Hyacinthe Rigaud and Jacques Autreau
André-Hercule de Fleury, after Hyacinthe Rigaud and Jacques Autreau
Henri-Simon Thomassin
1710(?)
Image Not Available for Hercules Fighting the Centaurs, from the Labors of Hercules, after Rosso
Hercules Fighting the Centaurs, from the Labors of Hercules, after Rosso
Giovanni Jacopo Caraglio
1524
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Hercules Defeating the River God Achelous (in the form of a Bull), from the Labors of Hercules, after Rosso
Giovanni Jacopo Caraglio
1524
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Hercules Fighting Cacus, from the Labors of Hercules, after Rosso
Giovanni Jacopo Caraglio
1524