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This image is for study only, and may not accurately represent the object’s true color or scale…
Angel Bearing a Pillar, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Angel Bearing a Pillar, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini

Primary (London, England, 1732–1783)
NationalityEnglish, Europe
Date1764
MediumEtching and aquatint with roulette
DimensionsSheet: 16 5/8 × 12 7/16 in. (42.2 × 31.6 cm)
Additional Dimension: 14 × 10 7/16 in. (35.6 × 26.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1816.2
Collection AreaPrints and Drawings
Object number2002.1816.2/2
On View
Not on view
Angel Bearing a Cross, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini
Angel Bearing a Cross, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini
William Wynne Ryland
1764
This image is for study only, and may not accurately represent the object’s true color or scale…
Penitent Magdalen, after Luca Cambiaso
William Wynne Ryland
1764
This image is for study only, and may not accurately represent the object’s true color or scale…
Eleonora and Edward I, after Angelica Kauffmann
William Wynne Ryland
1757
Image Not Available for Christ Feeding the Multitudes, after Gian Lorenzo Bernini
Christ Feeding the Multitudes, after Gian Lorenzo Bernini
François Spiere
1677
This image is for study only, and may not accurately represent the object’s true color or scale…
Barmouth Estuary
Christopher Richard Wynne Nevinson
1915
This image is for study only, and may not accurately represent the object’s true color or scale…
David étranglant le lion [David Strangling the Lion], frontispiece to Urbain VIII, Maphaei...Barberini...Poemata [Poems by Cardinal Barberini], after Giovanni Lorenzo Bernini
Claude Mellan
1632
This image is for study only, and may not accurately represent the object’s true color or scale…
Samson Pulling Down the Pillars of the House
William Arthur Narbeth
1920
Image Not Available for Plate XVIII: Head, Facing Right from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XVIII: Head, Facing Right from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XIX: Drapery from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XIX: Drapery from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXI: Head, in Profile to the Left from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXI: Head, in Profile to the Left from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XXII: Arm from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XXII: Arm from Angel Bearing a Palm; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934
Image Not Available for Plate XX: Foot from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Plate XX: Foot from Angel Bearing a Crown; Vol. VIII: The Tomb by Antonio Rossellino for the Cardinal of Portugal; Studies in the History and Criticism of Sculpture
Clarence Kennedy
1934