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Standing Male, Anterior - Outermost Muscles, plate III from the cours complet d'anatomie peint et gravé en couleurs naturelles [Complete Course of Anatomy, Printed and Engraved in Natural Colors]
Standing Male, Anterior - Outermost Muscles, plate III from the cours complet d'anatomie peint et gravé en couleurs naturelles [Complete Course of Anatomy, Printed and Engraved in Natural Colors]

Standing Male, Anterior - Outermost Muscles, plate III from the cours complet d'anatomie peint et gravé en couleurs naturelles [Complete Course of Anatomy, Printed and Engraved in Natural Colors]

Primary (1741–1780 or 1783)
NationalityFrench, Europe
Date1773
MediumColor mezzotint, printed in four colors
DimensionsSheet: 22 11/16 × 17 1/4 in. (57.6 × 43.8 cm)
Additional Dimension: 21 3/4 × 15 3/4 in. (55.2 × 40 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1997.132
Collection AreaPrints and Drawings
Object number1997.132
On View
Not on view
Label Text
This print by Gautier-Dagoty represents a milestone in both printmaking and medical illustration. In the first part of the eighteenth century, medical illustrations were printed in black and white and colors had to be applied by hand. In 1741, Jacob Christoph LeBlon devised a three-color printing technique based on Newton’s color theory that stated that all colors can be created by mixing red, blue, and green. Gautier-Dagoty’s father, Jacques- Fabien Gautier (1711-85), was trained by LeBlon and the color mezzotint process was used by the Gautier family for more than twenty-five years. In addition to being an unusual instance of mezzotint in France rather than England, this print is a representative of one of the first anatomical atlases in color created by the Gautier-Dagoty family.
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