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This image is for study only, and may not accurately represent the object’s true color or scale…
The Temple of Nature, after Henry Fuseli
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

The Temple of Nature, after Henry Fuseli

Primary (Wednesbury, England, circa 1772–after 1848)
NationalityEnglish, Europe
Date1803
MediumStipple engraving
DimensionsSheet: 11 7/16 × 8 11/16 in. (29 × 22.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1284
Keywords
Collection AreaPrints and Drawings
Object number2002.1284
On View
Not on view
Image Not Available for El Reggaeton del Bachatero, from the portfolio, Manifestaciones
El Reggaeton del Bachatero, from the portfolio, Manifestaciones
Moses Ros-Suárez
2010
This image is for study only, and may not accurately represent the object’s true color or scale…
Untitled (landscape)
Forrest Moses
1985
The Bronze Lamp given by the Prince Regent to the Royal Academy, designed and made by Vuillamy & Sons
The Bronze Lamp given by the Prince Regent to the Royal Academy, designed and made by Vuillamy & Sons
Henry Moses
1813
Image Not Available for Irises
Irises
Forrest Moses
1986
Rehearsal Break
Rehearsal Break
Moses Soyer
1942
Self-Portrait
Self-Portrait
Janus Lutma, the younger
1681
Image Not Available for Henry IV
Henry IV
Louis-Pierre Henriquel-Dupont
1845
Image Not Available for Henry IV
Henry IV
Louis-Pierre Henriquel-Dupont
1845
Image Not Available for Christ Healing the Ten Lepers, after Girolamo Genga, plate 80 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Christ Healing the Ten Lepers, after Girolamo Genga, plate 80 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Pierre-Louis de Surugue, the younger
1729
Image Not Available for Saint Margaret, after Raphael, plate 7 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)
Saint Margaret, after Raphael, plate 7 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)
Pierre-Louis de Surugue, the younger
1729
Image Not Available for The Fortune Teller, after Caravaggio, plate 93 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cr
The Fortune Teller, after Caravaggio, plate 93 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cr
Benoit Audran II (called The Younger)
1729
Lot and His Daughters Fleeing Sodom, after Paolo Veronese, plate 152 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in
Lot and His Daughters Fleeing Sodom, after Paolo Veronese, plate 152 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in
Benoit Audran II (called The Younger)
after 1730-before 1740