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Eh te vlà mon pauvre fieu! comme te vlà beau! viens donc baiser ton père! [Oh here you are, my poor dear...darn it, how handsome you are! Come give your father a kiss], plate 28 from Émotions Pariseinnes, in Le Charivari, 9 April 1840
Eh te vlà mon pauvre fieu! comme te vlà beau! viens donc baiser ton père! [Oh here you are, my poor dear...darn it, how handsome you are! Come give your father a kiss], plate 28 from Émotions Pariseinnes, in Le Charivari, 9 April 1840

Eh te vlà mon pauvre fieu! comme te vlà beau! viens donc baiser ton père! [Oh here you are, my poor dear...darn it, how handsome you are! Come give your father a kiss], plate 28 from Émotions Pariseinnes, in Le Charivari, 9 April 1840

Primary (Marseille, France, 1808–Valmondois, France, 1879)
NationalityFrench, Europe
Date1840
MediumLithograph
DimensionsSheet: 13 3/4 × 9 13/16 in. (35 × 24.9 cm)
Image: 9 9/16 × 7 3/8 in. (24.3 × 18.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1562
Collection AreaPrints and Drawings
Object number2002.1562
On View
Not on view
Label Text
Published in Album Émotions Parisiennes 1842; Published in Le Charivari, 9 April 1840
Bichette...viens donc arranger ma rosette!...[Darling, would you help me binding my tie?...], plate 16 from Les Bas-bleus, in Le Charivari, 13 March 1844 (?)
Bichette...viens donc arranger ma rosette!...[Darling, would you help me binding my tie?...], plate 16 from Les Bas-bleus, in Le Charivari, 13 March 1844 (?)
Honoré Daumier
circa 1844
This image is for study only, and may not accurately represent the object’s true color or scale…
Dis donc Miroux … dis donc, Miroux … de quoi donc que madame Miroux te fait / porter? [Tell me Miroux … I say, Miroux … how does Madame Miroux bear you?], plate 43 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 13 August 1841
Paul Gavarni
1841
Image Not Available for Le postillon. _____ Dites donc, bourgeois, j’vas détaler… v’la un mois que vous me dites tous les jours que vous etes prêt à partir et vous ne partez pas… vous me faites l’effet d’un fameux farceur! [The Postman. ______ I say, bourgeois, I will take off …
Le postillon. _____ Dites donc, bourgeois, j’vas détaler… v’la un mois que vous me dites tous les jours que vous etes prêt à partir et vous ne partez pas… vous me faites l’effet d’un fameux farceur! [The Postman. ______ I say, bourgeois, I will take off …
Cham
1839
Image Not Available for Viens voir P’ospèr! un monsieur qui prend la foudre avec du verre frotté [Come see, P’ospèr! a man who takes a lightning bolt with polished glass], plate 3 from Leçons et conseils [Lessons and Advice], in Le Charivari, 23 November 1839
Viens voir P’ospèr! un monsieur qui prend la foudre avec du verre frotté [Come see, P’ospèr! a man who takes a lightning bolt with polished glass], plate 3 from Leçons et conseils [Lessons and Advice], in Le Charivari, 23 November 1839
Paul Gavarni
1839
This image is for study only, and may not accurately represent the object’s true color or scale…
Eh! dis-donc, camarade, ton cheval ne marche pas [Eh! Say, friend, your horse is not walking], plate 435 from Actualités [Current Events], in Le Charivari
Cham
1841
Image Not Available for N’y a pas de doute, mon président, qu’à ma place vous n’auriez pas abîmé, comme ça, c’t [sic] homme là, vous! [Have no doubt, my president, that in my place you would not be damaged, like that, that man there, you!], plate 13 from Bohèmes [Bohemians], in
N’y a pas de doute, mon président, qu’à ma place vous n’auriez pas abîmé, comme ça, c’t [sic] homme là, vous! [Have no doubt, my president, that in my place you would not be damaged, like that, that man there, you!], plate 13 from Bohèmes [Bohemians], in
Paul Gavarni
1853
No te arruges cuero viejo, que te quiero pa tambor!, from Dichos populares [Do Not Wrinkle, Old Skin, Because I Want to Use You as a Drum!, from Popular Sayings]
No te arruges cuero viejo, que te quiero pa tambor!, from Dichos populares [Do Not Wrinkle, Old Skin, Because I Want to Use You as a Drum!, from Popular Sayings]
Raúl Anguiano
1939
Image Not Available for Qu’est-ce que tu lis là? --“Le Mérite des femmes” --T’es malade? [What are you reading there? --“The Merit of Women” --Are you crazy?], plate 41 from Les Lorettes, in Le Charivari, 29 January 1843
Qu’est-ce que tu lis là? --“Le Mérite des femmes” --T’es malade? [What are you reading there? --“The Merit of Women” --Are you crazy?], plate 41 from Les Lorettes, in Le Charivari, 29 January 1843
Paul Gavarni
1843
Si porque te ves con plata a un pobre lo disminuyes, más altas suben las nubes y el viento las desbarata [Just Because You Have Money, You Hold the Poor Folk in Contempt; the Clouds in the Sky are Higher and the Wind Still Destroys Them], from Dichos popu
Si porque te ves con plata a un pobre lo disminuyes, más altas suben las nubes y el viento las desbarata [Just Because You Have Money, You Hold the Poor Folk in Contempt; the Clouds in the Sky are Higher and the Wind Still Destroys Them], from Dichos popu
Raúl Anguiano
1939
Hay riata no te revientes...ques el último jalón, from Dichos populares [Oh Rope, Don't Bust on Me Now...This is the Last Pull, from Popular Sayings]
Hay riata no te revientes...ques el último jalón, from Dichos populares [Oh Rope, Don't Bust on Me Now...This is the Last Pull, from Popular Sayings]
Raúl Anguiano
1939
Ma sainte te ressemble, n’est pas [sic] Nini? [My saint resembles you, doesn’t it Nini?], plate 1 from Les Artistes, in Le Charivari, 6 May 1838
Ma sainte te ressemble, n’est pas [sic] Nini? [My saint resembles you, doesn’t it Nini?], plate 1 from Les Artistes, in Le Charivari, 6 May 1838
Paul Gavarni
1838
Image Not Available for -Tiens, Adélaïde..., j'ai voulu te faire une surprise... [Look Adelaide...I wanted to surprise you...], plate 99 from Actualités, in Le Charivari 19 August 1859
-Tiens, Adélaïde..., j'ai voulu te faire une surprise... [Look Adelaide...I wanted to surprise you...], plate 99 from Actualités, in Le Charivari 19 August 1859
Honoré Daumier
1859