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"Desenlace", illustration for "El gavilán" by Francisco Castillo Najera
"Desenlace", illustration for "El gavilán" by Francisco Castillo Najera

"Desenlace", illustration for "El gavilán" by Francisco Castillo Najera

Primary (Aguascalientes, Mexico, 1897–Mexico City, Mexico, 1975)
NationalityMexican, North America
Date1939
MediumWoodcut
DimensionsImage: 2 3/8 × 3 3/8 in. (6 × 8.5 cm)
Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982.894
Rights Statement
Collection AreaPrints and Drawings
Object number1982.894
On View
Not on view
Provocación, illustration for El gavilán by Francisco Castillo Najera
Provocación, illustration for El gavilán by Francisco Castillo Najera
Francisco Díaz de Leon
1939
Image Not Available for XII poemas de Veronica Volkow; VIII grabados de Francisco Toledo [XII Poems by Veronica Volkow; VIII Prints by Francisco Toledo]
XII poemas de Veronica Volkow; VIII grabados de Francisco Toledo [XII Poems by Veronica Volkow; VIII Prints by Francisco Toledo]
Francisco Toledo
1983
The Filet Mignon of Affordable Conceptual Art [El filete miñón del arte conceptual asequible]
The Filet Mignon of Affordable Conceptual Art [El filete miñón del arte conceptual asequible]
Alejandro Diaz
2012
El Embozado [The Cloaked Man] or El Torero anciano [The Old Bullfighter]
El Embozado [The Cloaked Man] or El Torero anciano [The Old Bullfighter]
Francisco de Goya y Lucientes
circa 1824-1826, published in1859
Tan bárbara la seguridad como el delito [The Custody is as Barbarous as the Crime] (Little Prisoner)
Tan bárbara la seguridad como el delito [The Custody is as Barbarous as the Crime] (Little Prisoner)
Francisco de Goya y Lucientes
circa 1814, published 1867
Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia
Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia
Francisco de Goya y Lucientes
1815-1816 (p. 1905)
Pepe Illo haciendo el recorte al toro [Pepe Illo making the pass of the 'recorte'], plate 29 from La Tauromaquia
Pepe Illo haciendo el recorte al toro [Pepe Illo making the pass of the 'recorte'], plate 29 from La Tauromaquia
Francisco de Goya y Lucientes
1815-1816 (p. 1905)
Las rinde el sueño [Sleep Overcomes Them], plate 34 from Los Caprichos
Las rinde el sueño [Sleep Overcomes Them], plate 34 from Los Caprichos
Francisco de Goya y Lucientes
1797-1799
El Cid Campeador lanceando otro toro [The Cid Campeador Spearing another Bull], plate 11 from La Tauromaquia
El Cid Campeador lanceando otro toro [The Cid Campeador Spearing another Bull], plate 11 from La Tauromaquia
Francisco de Goya y Lucientes
1815-1816 (p. 1855)
Contra el bien general [Against the Common Good], plate 71 from Los Desastres de la Guerra [Disasters of War]
Contra el bien general [Against the Common Good], plate 71 from Los Desastres de la Guerra [Disasters of War]
Francisco de Goya y Lucientes
circa 1810-1820, published 1863
Image Not Available for Thinker
Thinker
Antonio Díaz Cortéz
1964
This image is for study only, and may not accurately represent the object’s true color or scale…
Serie de la memoria. Erasmo [Memory Series. Erasmus]
Alicia Diaz Rinaldi
1992