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Image Not Available for L'Abbé Gedouin, after Rigaud
L'Abbé Gedouin, after Rigaud
Image Not Available for L'Abbé Gedouin, after Rigaud

L'Abbé Gedouin, after Rigaud

Primary (Orléans, France, 1645–Paris, France, 1728)
NationalityFrench, Europe
Date1665
MediumEngraving
DimensionsSheet: 6 5/8 × 4 3/4 in. (16.9 × 12 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000.311
Collection AreaPrints and Drawings
Object number2000.311
On View
Not on view
Image Not Available for The Sudarium, after Domenico Fetti, plate 106 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cro
The Sudarium, after Domenico Fetti, plate 106 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cro
Charles-Louis Simmoneau, the elder
1729
Image Not Available for Madonna and Child with Saint John the Baptist, after Raphael, plate 34 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings i
Madonna and Child with Saint John the Baptist, after Raphael, plate 34 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings i
Charles-Louis Simmoneau, the elder
1729
Image Not Available for Hagar, after Andrea Sacchi, plate 116 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)
Hagar, after Andrea Sacchi, plate 116 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)
Charles-Louis Simmoneau, the elder
1729
Image Not Available for Madonna and Child with Angels, after Fra Bartolomeo, plate 139a from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
Madonna and Child with Angels, after Fra Bartolomeo, plate 139a from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
Charles-Louis Simmoneau, the elder
after 1730-before 1740
This image is for study only, and may not accurately represent the object’s true color or scale…
Henrietta Maria, Wife of Charles I, plate from Isaac de Larrey's History of England and Scotland, after Adriaen van der Werff
Charles-Louis Simmoneau, the elder
1670
Allegory of the Marriage of the Duke of Bourgogne and Marie Adelaide of Savoy, after Sebastien Leclerc
Allegory of the Marriage of the Duke of Bourgogne and Marie Adelaide of Savoy, after Sebastien Leclerc
Charles-Louis Simmoneau, the elder
1697
This image is for study only, and may not accurately represent the object’s true color or scale…
L'Inclination [Inclination], from Iconologie par figures, after Hubert-François Bourguignon Gravelot and Charles-Nicolas Cochin, the younger
Charles Louis Lingée
1790
This image is for study only, and may not accurately represent the object’s true color or scale…
La Constance [Constancy], from Iconologie par figures, after Hubert-François Bourguignon Gravelot and Charles-Nicolas Cochin, the younger
Charles Louis Lingée
1774
Image Not Available for Alexander and Roxanne, after Raphael, plate 36 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cr
Alexander and Roxanne, after Raphael, plate 36 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cr
Charles-Nicolas Cochin, the elder
1729
Presentation in the Temple
Presentation in the Temple
Louis de Boulogne, the elder
1671
Camp Volant [Soldiers in Camp], after Jean-Antoine Watteau
Camp Volant [Soldiers in Camp], after Jean-Antoine Watteau
Charles-Nicolas Cochin, the elder
1727
L'Amour au théâtre françois [Actors of the Comédie-Française], after Jean-Antoine Watteau
L'Amour au théâtre françois [Actors of the Comédie-Française], after Jean-Antoine Watteau
Charles-Nicolas Cochin, the elder
1734