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"I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job
"I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job

"I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job

Primary (London, England, 1757–1827)
NationalityEnglish, Europe
Date1823-1825
MediumEngraving
DimensionsSheet: 16 3/16 × 10 7/8 in. (41.1 × 27.6 cm)
Additional Dimension: 8 1/2 × 6 5/8 in. (21.6 × 16.8 cm)
Image: 7 3/4 × 5 7/8 in. (19.7 × 14.9 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, G1966.2.153
Collection AreaPrints and Drawings
Object numberG1966.2.153
On View
Not on view
Exhibitions
"And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job
"And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job
William Blake
1823-1825
This image is for study only, and may not accurately represent the object’s true color or scale…
Mrs. Q. and Windsor Castle, after Huet Villliers
William Blake
1820
Johann Kaspar Lavater
Johann Kaspar Lavater
William Blake
1787
Hudibras beats Sidrophel and his man Whacum, plate VIII from Illustrations for Samuel Butler's Hudibras, February 1725/6
Hudibras beats Sidrophel and his man Whacum, plate VIII from Illustrations for Samuel Butler's Hudibras, February 1725/6
William Hogarth
1725-1768
Illustration for Book of Job
Illustration for Book of Job
Lucas Cranach
1492
This image is for study only, and may not accurately represent the object’s true color or scale…
Century 21, from the Winchester Trilogy
Jeremy Blake
2004
Winchester, from the Winchester Trilogy
Winchester, from the Winchester Trilogy
Jeremy Blake
2002
This image is for study only, and may not accurately represent the object’s true color or scale…
1906, from the Winchester Trilogy
Jeremy Blake
2003
Mosieu [sic] Belassis, moi j’ai pas des jambes en manches de veste [Monsieur Belassis, I have no legs in my jacket sleeves], plate 45 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 25 September 1841
Mosieu [sic] Belassis, moi j’ai pas des jambes en manches de veste [Monsieur Belassis, I have no legs in my jacket sleeves], plate 45 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 25 September 1841
Paul Gavarni
1841
Image Not Available for Après diner maman, n'est-ce pas? (j’ai été bien sage) nous irons chez mon bon ami [After dinner, Mama, alright? (I have been very good) we will go to my good friend’s house], plate 11 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 4
Après diner maman, n'est-ce pas? (j’ai été bien sage) nous irons chez mon bon ami [After dinner, Mama, alright? (I have been very good) we will go to my good friend’s house], plate 11 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 4
Paul Gavarni
1840
Image Not Available for Voilà trois heures, voisin, trois heures, que vous nous jouez de ce flageolet [That’s three hours, neighbor, three hours that you have played that flageolet for us], plate 11, in Revue et Gazette musicale [Musical Review and Gazette], 17 March 1844
Voilà trois heures, voisin, trois heures, que vous nous jouez de ce flageolet [That’s three hours, neighbor, three hours that you have played that flageolet for us], plate 11, in Revue et Gazette musicale [Musical Review and Gazette], 17 March 1844
Paul Gavarni
1844
Image Not Available for N’y a pas de doute, mon président, qu’à ma place vous n’auriez pas abîmé, comme ça, c’t [sic] homme là, vous! [Have no doubt, my president, that in my place you would not be damaged, like that, that man there, you!], plate 13 from Bohèmes [Bohemians], in
N’y a pas de doute, mon président, qu’à ma place vous n’auriez pas abîmé, comme ça, c’t [sic] homme là, vous! [Have no doubt, my president, that in my place you would not be damaged, like that, that man there, you!], plate 13 from Bohèmes [Bohemians], in
Paul Gavarni
1853