Skip to main content
Advanced Search
Adoration of the Shepherds
Adoration of the Shepherds

Adoration of the Shepherds

Primary (Parma, Italy, 1503–Casalmaggiore, Italy, 1540)
NationalityItalian, Europe
Datecirca 1525-1526
MediumEtching and drypoint
DimensionsSheet: 4 5/8 × 3 1/16 in. (11.8 × 7.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.83
Collection AreaPrints and Drawings
Object number2002.83
On View
Not on view
Label Text
This etching is one of Parmigianino’s many interpretations of the theme. Its small size, seeming informality, and sketchy articulation dramatize his appreciation of etching’s conceptual and procedural relation to drawing.
Exhibitions
The Entombment of Christ
The Entombment of Christ
Parmigianino (Francesco Mazzola)
circa 1527-1530
The Entombment of Christ
The Entombment of Christ
Parmigianino (Francesco Mazzola)
circa 1525-1527
Adoration of the Shepherds, after Parmigianino
Adoration of the Shepherds, after Parmigianino
Mauro Oddi
1664
Image Not Available for The Adoration of the Shepherds, after Giulio Romano, plate 49 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
The Adoration of the Shepherds, after Giulio Romano, plate 49 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Louis Desplaces
1729
Image Not Available for The Adoration of the Shepherds, after Domenico Fetti, plate 104 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
The Adoration of the Shepherds, after Domenico Fetti, plate 104 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
Simon Francois Ravenet, the elder
after 1730-before 1740
The Adoration of the Shepherds, after Paolo Veronese, plate 166 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
The Adoration of the Shepherds, after Paolo Veronese, plate 166 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
Louis Jacob
after 1730-before 1740
The Adoration of the Shepherds, after Guercino
The Adoration of the Shepherds, after Guercino
Charles Paul Jean-Baptiste de Bourgevin Vialart de Saint-Morys
1763
Adoration of the Shepherds, after Raphael or Giulio Romano
Adoration of the Shepherds, after Raphael or Giulio Romano
Follower of Marcantonio Raimondi
circa 1534
Image Not Available for Adoration of the Shepherds
Adoration of the Shepherds
François Perrier
1633 (printed after 1742)
Saint Clare
Saint Clare
Filippo Mazzola
1502–1505
Adoration of the Shepherds
Adoration of the Shepherds
Andries Jacobsz Stock
1600
This image is for study only, and may not accurately represent the object’s true color or scale…
The Adoration of the Shepherds, Surrounded by Moses and Five Prophets, after Karel van Mander
Jacob Matham
1588