Vivir: a los saltos [To Live: By Leaps and Bounds]
Primary
Rómulo Macció
(Buenos Aires, Argentina, 1931–2016)
NationalityArgentinean, South America
Date1964
MediumAcrylic, tempera and/or poster paint, and graphite on particle board
DimensionsFramed: 72 1/8 × 72 1/16 in. (183.2 × 183 cm)
Sight: 72 1/8 × 72 1/16 in. (183.2 × 183 cm)
Sight: 72 1/8 × 72 1/16 in. (183.2 × 183 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, P1973.11.2
Keywords
Rights Statement
Collection AreaLatin American Art
Object numberP1973.11.2
On View
On viewLocations
Label Text- exhibition BMA, Gallery, C8 - Susman Galleries
Rómulo Macció’s title for this painting implies both a positive call to action and an ironic critique of mass media and consumer society. The central rectangle recalls a television screen, and the influence of popular media was indeed one of the hotly debated political issues of the 1960s. He interrupts the composition—as commercials interrupt a seamless television show—to suggest a sinister presence lurking behind our everyday lives. Macció’s incorporation of masks and deformed faces adds to the painting’s sense of horror and may reflect the currency of Jean-Paul Sartre’s philosophical ideas of existentialism in Buenos Aires.
Exhibitions
Stanton Macdonald-Wright
1965-1966