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Neptune and Amphitrite

Primary (Nîmes, France, 1700–Castel Gandolfo, Italy, 1777)
NationalityFrench, Europe
Datecirca 1730s
MediumBlack chalk with brush and brown wash and white heightening on blue laid paper
DimensionsSheet: 9 7/16 × 14 9/16 in. (23.9 × 37 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1250
Collection AreaPrints and Drawings
Object number2017.1250
On View
Not on view
Label Text
Like Boucher a pupil of François Lemoyne, and later a friendly rival, Natoire developed only modestly beyond his master’s style, inflecting it toward the Italians of the High Baroque, Pietro da Cortona in particular, and evolving a handsome decorative manner. This is one of two highly finished and signed drawings by Natoire in the Collection, both drawn at the beginning of his Roman period and intended for presentation. Despite some oxidation of its heightening, the drawing is extraordinarily well preserved.
Exhibitions
Venus and Cupid
Charles-Joseph Natoire
1755
The Conversion of Saint Paul
Paolo Farinati
late 1580s
Flight into Egypt
Cigoli (Ludovico Cardi)
1607
Saint Dominic Resuscitating a Mason
Sebastiano Conca
circa 1715
The Dream of Joseph
Giovanni Battista Gaulli (Baciccio)
1680s
Allegory of Victory
Attributed to Sigismundo Caula
1659
Christ Healing the Blind Man
Federico Zuccaro
1568
Saint Peter in Cattedra Surrounded by Acanthus
Giuseppe Cesari, called Cavalier d'Arpino
circa 1603
Triumph of Hercules
Lorenzo De Ferrari
1690s
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
Angel Holding a Tablet, after Raphael
Gaudenzio Ferrari
late 1510's
Finding of Moses
Antonio Balestra
1688