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Triumph of Hercules

Primary (Genoa, Italy, 1680–1744)
NationalityItalian, Europe
Date1690s
MediumPen and brown ink with brush and brown wash with white heightening over black chalk on cream antique laid paper
DimensionsSheet: 19 × 14 5/16 in. (48.2 × 36.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1087
Collection AreaPrints and Drawings
Object number2017.1087
On View
Not on view
Label Text
Son and pupil of Gregorio de Ferrari, Lorenzo carried on his father’s extravagant decorative manner while imposing a more conventional, academic order first gathered from the Bolognese active in Genoa, then reinforced by the classical Baroque tradition he experienced on a trip to Rome. This grand study for an illusionistic ceiling fresco epitomizes this style at an early stage, with its composition dependent upon one realized by Gregorio for the Palazzo Balbi-Senarega in the mid 1680s, but its construction more regular, forms more conventional, and handling more restrained. Despite its scale and elaborateness, the drawing is not connected with any known work by Lorenzo.
Exhibitions
Minerva in Triumph
Lorenzo De Ferrari
circa 1695-1700
The Dream of Joseph
Giovanni Battista Gaulli (Baciccio)
1680s
Flying Angel
Gregorio de' Ferrari
circa 1700s
Angel Holding a Tablet, after Raphael
Gaudenzio Ferrari
late 1510's
Saint Peter in Cattedra Surrounded by Acanthus
Giuseppe Cesari, called Cavalier d'Arpino
circa 1603
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1670
The Conversion of Saint Paul
Paolo Farinati
late 1580s
Flight into Egypt
Cigoli (Ludovico Cardi)
1607
Saint Dominic Resuscitating a Mason
Sebastiano Conca
circa 1715
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1700s
Finding of Moses
Antonio Balestra
1688
Adoration of the Shepherds
Antonio Balestra
circa 1704